This essay reviews the following works:
Reimagining Brazilian Television: Luiz Fernando Carvalho’s Contemporary Vision. By Eli Lee Carter. Pittsburgh: University of Pittsburgh Press, 2018. Pp. x + 286. $28.95 paperback. ISBN: 9780822964988.
Frontera Verde. By Jenny Ceballos, Mauricio Leiva-Cock, and Diego Ramírez-Schrempp. Netflix, 2019. 8 episodes.
Foundational Films: Early Cinema and Modernity in Brazil. By Maite Conde. Los Angeles: University of California Press, 2018. Pp. xiii + 306. $34.95 paperback. ISBN: 9780520290990.
Mock Classicism: Latin American Film Comedy, 1930–1960. By Nilo Couret. Los Angeles: University of California Press, 2018. Pp. xi + 279. $34.95 paperback. ISBN: 9780520296855.
Roma. Written and directed by Alfonso Cuarón. Netflix, 2018.
Latin American Film Industries. By Tamara L. Falicov. London: Bloomsbury and British Film Institute, 2019. Pp. ix + 193. $31.95 paperback. ISBN: 9781844573103.
Cosmopolitan Film Cultures in Latin America, 1896–1960. Edited by Rielle Navitski and Nicolas Poppe. Bloomington: Indiana University Press, 2017. Pp. xi + 376. $38.00 paperback. ISBN: 9780253026460.
Channeling the State: Community Media and Popular Politics in Venezuela. By Naomi Schiller. Durham, NC: Duke University Press, 2018. Pp. xiv + 275. $26.95 paperback. ISBN: 9781478001447.
Bolívar. By Juana Uribe, María Clara Torres, Ricardo Aponte, and Leonor Sardi. Directed by Luis Alberto Restrepo, Andrés Beltrán, and Jaime Rayo. Netflix-Caracol Internacional, 2019. 63 episodes.
Capitán Latinoamérica: Superheroes in Cinema, Television, and Web Series. By Vinodh Venkatesh. Albany: State University of New York Press, 2020. Pp. xiii + 261. $95.00 hardcover. ISBN: 9781438480152.
