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Contributors
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- 15 January 2020, pp. v-vi
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Contributors
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- 17 August 2020, pp. v-vi
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Contributors
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- Published online by Cambridge University Press:
- 19 November 2020, pp. v-vi
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Contributors
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- 24 April 2020, pp. v-vi
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Research Article
Paul Williams: The Cage Mix
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- 24 April 2020, pp. 113-140
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“For Thee America! For Thee Syria?”: Alexander Maloof, Orientalist Music, and the Politics of the Syrian Mahjar
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- 19 November 2020, pp. 383-418
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Editorial
From the Editor and Assistant Editor
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- 17 August 2020, p. 249
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From the Editor
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- Published online by Cambridge University Press:
- 15 January 2020, p. 1
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Research Article
Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera
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- 19 November 2020, pp. 419-450
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Taking the German Muse out of Music: The Chronicle and US Musical Opinion in World War I
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- 24 April 2020, pp. 141-175
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Introduction
Introduction: Festivals and Musical Life
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- 15 January 2020, pp. 2-9
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Research Article
“The Dress-Clad, Out Loud Singer of Queer Punks”: Bradford Cox and the Performance of Disability
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- 17 August 2020, pp. 250-279
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“Spinnin' the Webb”: Representational Spaces, Mythic Narratives, and the 1937 Webb/Goodman Battle of Music
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- 24 April 2020, pp. 176-196
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“I'm Just an Armless Guitarist”: Tony Melendez, Disability, and the Social Construction of Virtuosity
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- 17 August 2020, pp. 280-307
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Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins
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- 19 November 2020, pp. 451-479
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Grant Park Music Festival and Music in Chicago's “Front Yard”
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- 15 January 2020, pp. 10-32
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Pitching Opera: Innovating New Music Theater at Banff and Stratford, 1970–1990
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- 15 January 2020, pp. 33-50
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Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties
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- 19 November 2020, pp. 480-509
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“Strange What Cosmopolites Music Makes of Us”: Classical Music, the Black Press, and Nora Douglas Holt's Black Feminist Audiotopia
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- 17 August 2020, pp. 308-336
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Improvisation and Value in Rock, 1966
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- 24 April 2020, pp. 197-232
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