The kimono is often overlooked in the study of modern Japanese literature. Yet it plays a vital role in representing character, symbolizing critical aspects of the narrative, and illuminating historical and social contexts. Here I focus on Kimono (1965–68), an unfinished novel by Kōda Aya (1904–90) that depicts a girl's growing-up process through her experiences with kimono during the early twentieth century. While highlighting the protagonist's development, kimonos in this work also serve various other functions, particularly cogent during a time in which everyday knowledge of kimono was declining. I examine the novel from different perspectives, including the kimono culture of the 1950s–60s and the novel's revitalization during the 1990s–2000s, facilitated by Kōda's literary inheritor, daughter Aoki Tama (1929–). This essay presents a new view of Kōda and her novel while engaging with broader questions of material and cultural representation, and the role of objects in the interpretation of literary texts.

John Lee's, David Fedman's, and Lisa Brady's essays persuasively show the value of studying environmental issues on the Korean peninsula. Each of the essays carefully explains how drives led by individuals and entities, such as the state, engineered nature for human needs, security, and later economic growth. In so doing, they show how these drives simultaneously altered nature and remade institutions, systems, and cultures that influenced people's agency and identity and reshaped forms of consciousness. By judiciously making visible the agents and social forces behind the reconstitution of nature, the essays collectively introduce diverse approaches to the study of environmental issues in Asia and elsewhere. Most of all, they demonstrate that transnational environmental history on the Korean peninsula can no longer be overlooked when dwelling on and debating major historical and theoretical issues in Korean, Asian, and environmental studies.