Reviews: Books
KATHERINE HAMBRIDGE and JONATHAN HICKS, Eds THE MELODRAMATIC MOMENT Chicago: University of Chicago Press, 2018 pp. 288, isbn978 0 226 56309 1
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- 12 February 2020, pp. 110-111
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WILLIAM McGIBBON (1696–1756), ED. ELIZABETH C. FORD COMPLETE SONATAS Middleton, WI: A-R Editions, 2018 pp. xvi + 3 pages of plates + 186, isbn978 1 987 20057 7
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- 04 September 2020, pp. 271-273
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WOLFGANG AMADEUS MOZART (1756–1791), ED. CLEMENS KEMME MISSA IN C K. 427 Wiesbaden: Breitkopf & Härtel, 2018 pp. x + 177, ismn979 0 004 21372 8
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- 04 September 2020, pp. 273-275
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MICHAEL MAUL, trans. RICHARD HOWE BACH'S FAMOUS CHOIR: THE SAINT THOMAS SCHOOL IN LEIPZIG, 1212–1804 Rochester: Boydell, 2018 pp. xx + 394, isbn978 1 783 27169 6
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- 12 February 2020, pp. 111-113
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GIOVANNI BATTISTA VIOTTI (1755–1824), ED. WARWICK LISTER TRE QUARTETTI PER DUE VIOLINI, VIOLA E VIOLONCELLO DEDICATI AL FRATELLO (WII:13–15) Rome: Società Editrice di Musicologia, 2018 pp. xli + 157, ismn979 0 705 06170 3
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- 04 September 2020, pp. 275-277
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SAMANTHA OWENS THE WELL-TRAVELLED MUSICIAN: JOHN SIGISMOND COUSSER AND MUSICAL EXCHANGE IN BAROQUE EUROPE Woodbridge: Boydell, 2017 pp. xvi + 385, isbn978 1 783 27234 1
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- 12 February 2020, pp. 113-115
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NAOMI WALTHAM-SMITH MUSIC AND BELONGING BETWEEN REVOLUTION AND RESTORATION New York: Oxford University Press, 2017 pp. xi + 264, isbn978 0 190 66200 4
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- 12 February 2020, pp. 115-118
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Reviews: Recordings
THOMAS ARNE (1710–1778) THE JUDGMENT OF PARIS Mary Bevan, Susanna Fairbairn, Gillian Ramm, Ed Lyon, Anthony Gregory (soloists) / The Brook Street Band / John Andrews (conductor) Dutton Vocalion CDLX7361, 2019; one disc, 68 minutes
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- 04 September 2020, pp. 277-279
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CLAUDE-BÉNIGNE BALBASTRE (1724–1799), JACQUES DUPHLY (1715–1789), JEAN-BAPTISTE FORQUERAY (1699–1782), JOSEPH-NICOLAS ROYER (c1705–1755) PIÈCES DE CLAVECIN Adam Pearl (harpsichord) Plectra 21803, 2018; one disc, 74 minutes
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- 04 September 2020, pp. 279-281
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IAN WOODFIELD CABALS AND SATIRES: MOZART'S COMIC OPERAS IN VIENNA Oxford: Oxford University Press, 2018 pp. xxxi + 265, isbn978 019 069263 6
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- 12 February 2020, pp. 118-121
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JOHANN JOSEPH IGNAZ BRENTNER (1689–1742), ed. VÁCLAV KAPSA INSTRUMENTAL MUSIC Prague: Academus Edition, 2017 pp. xxiv + 75, ISBN 978 8 088 08114 2
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- 12 February 2020, pp. 121-122
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MATTHEW DUBOURG (1703–1767) WELCOME HOME, MR DUBOURG Irish Baroque Orchestra / Peter Whelan (direction/harpsichord) Linn CKD 532, 2019; one disc, 61 minutes
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- 04 September 2020, pp. 281-285
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ANTOINE REICHA (1770–1836) REICHA REDISCOVERED Ivan Ilić (piano) Volume 1: Chandos 10950, 2017; one disc, 66 minutes Volume 2: Chandos 20033, 2018; one disc, 62 minutes
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- 04 September 2020, pp. 285-287
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REINHARD KEISER (1674–1739), ed. KOTA SATO, MAI KOSHIKAKEZAWA and HANSJÖRG DRAUSCHKE ALMIRA Beeskow: Ortus, 2018 pp. xxiii + 63, ismn979 0 502 34098 8
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- 12 February 2020, pp. 122-124
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DOMENICO SCARLATTI (1685–1757) ZONES: DOMENICO SCARLATTI Lillian Gordis (harpsichord) Paraty 919180, 2019: one disc, 82 minutes
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- 04 September 2020, pp. 287-290
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ANTONIO SALIERI (1750–1825), ed. JANE SCHATKIN HETTRICK REQUIEM WITH TWO RELATED MOTETS Middleton, WI: A-R Editions, 2017 pp. xxv + 248, isbn978 0 895 79859 6
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- 12 February 2020, pp. 124-126
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Communications: Reports
THE WESTFIELD CENTER FOR HISTORICAL KEYBOARD STUDIES
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- 04 September 2020, pp. 291-292
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ANTONIO VIVALDI (1678–1741), ed. BETTINA SCHWEMER LA STRAVAGANZA Kassel: Bärenreiter, 2019 Score, two volumes: pp. xxv + 162, ismn979 0 006 54406 6 / pp. xxv + 131, ismn979 0 006 54409 7 Piano reduction, two volumes: pp. xxiv + 177, ismn979 0 006 54407 3 / pp. xxiv + 129, ismn979 0 006 54410 3
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- 12 February 2020, pp. 126-128
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Communications: Conference Reports
THEATRE ON THE MOVE IN TIMES OF CONFLICT, 1750–1850 UNIVERSITY OF OXFORD, 18–19 SEPTEMBER 2019
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- 04 September 2020, pp. 292-295
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IL CEMBALO TRANSALPINO: MUSIC FROM THE FITZWILLIAM COLLECTION Sophie Yates (harpsichord) Chandos 0819, 2019; one disc, 64 mins
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- 12 February 2020, pp. 128-129
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