For well over a century, archaeology has been animated by the construction—and, increasingly, the critique—of grand narratives surveying the evolution of politics, economics, technologies, religion and so on. Deep histories of ‘art’ have not been pursued with comparable energy. This essay explores why this is so, and it considers what might be gained from extending the distinctively archaeological approach to human history to include analyses of long-term shifts in the organization and functions of images. In doing so, it proposes that notions of ‘absorption’ and ‘theatricality’ drawn from art-historical conversations might profitably be redeployed to examine deeper cross-cultural patterns.

Photography has been a particularly important though often under-theorized aspect of archaeological research. Although seemingly simple representations, photographs are simultaneously objective and subjective, truthful and creative. This article considers the contradictory nature of photography generally and the specific relationship between photography and archaeology. It then looks at the Yucatan peninsula of Mexico and examines how individuals have photographed ancient Maya sites, architecture and artifacts from the mid nineteenth century to the present. Initially used to support diffusionist theories of Maya origins, photography was later understood as a neutral and scientific way to record the Maya past. More recently, it has been used to share power more equitably with local communities and to make archaeology a more inclusive and relevant endeavour. Indeed, several have demonstrated that photography is a useful tool for engaged archaeology. This article argues that the reverse is also true: insights from engaged archaeology are useful tools for archaeological photography generally. By making photographic choices explicit and by including people and other aspects of the contemporary world in their photographs, scholars can emphasize that archaeology is a decisively human and necessarily political endeavour, and that archaeological sites and artifacts are dynamic and efficacious parts of the contemporary world.

Depictions of human faces and rice-crop images found at the Jiangjunya rock-art site in Lianyungang City, Jiangsu Province, China, reveal entangling relationships between spiritual and economic aspects. Drawing on the relational ecology model and animist ontology theory, the author provides an analysis of the Jiangjunya rock art in its economic, social, spiritual and historical contexts, proposing that prehistoric farmers along China's east coast perceived rice plants as relating to persons. Rice was conceptualized not in utilitarian terms as a means of subsistence (used and consumed by humans) but rather as subjects capable of action. The human masks of Jiangjunya hence suggest a personhood for rice, rather than representing humans or anthropomorphic gods. Furthermore, the history of the Jiangjunya rock-art site corresponds with the history of local economics. The relational ontologies might have transformed gradually from human–animal interactions in the Late Palaeolithic and Early Neolithic periods to human–plant interactions in Late Neolithic societies. The author concludes that the art site was possibly treated as a mnemonic maintaining interpersonal and intersubjective relationships across thousands of years.

In this paper, we seek to explore the ways in which landscapes become venues not only for manipulations of the past in a present, but also for shaping possible futures. Considerations of temporality and being in the landscape have been more strongly focused on the past and social memory than the future, anticipation and projectivity, but these are vital considerations if we are to preserve the possibility that past people imagined alternative futures. A fruitful archaeological context for an exploration of past futures can be found in the choices people made during the late Iron Age and Roman period in Britain, which has an increasingly rich and high-resolution material record for complex changes and continuities during a period of cultural interactions and imperial power dynamics. More specifically, recent research into the architectural and material practices evident on rural settlement sites and across landscapes forces us to challenge preconceptions about the reactive/reactionary culture of rural societies. Case-studies from Kent and the West Country will be deployed to develop the argument that in the materializing of time, the future has a very significant part to play.

Miniature human figurines have inspired many theoretical advances in archaeological literature, centred around universal human reactions to the material affect of their form. However, confirmation that ancient audiences had such reactions to figurines can be difficult to access in the archaeological record. Egyptian shabtis, a type of funerary figurine, allow such reactions to be accessed by the archaeologist due to their widespread use throughout a long period of Egyptian history and their continuing popularity in other cultures since ancient times: evidence consists of a broad range of textual, artistic and archaeological data from many different cultures over a period of roughly 4000 years. This evidence confirms not only that ancient Egyptian craftsmen responded to and sought to maximize the material affect of the shabtis, but that a significant part of the human response to miniature human figurines is indeed conditioned by their material qualities, independent of the figurines’ original religious function and the cultural background of the viewer.

The primitive race of Soay sheep from the St Kilda archipelago in northwest Scotland has played an important role in narratives of the history of domestic sheep. The Soays, apparently a ‘Bronze Age’ race of sheep, were probably confined to the precipitous isle of Soay as soon as ‘Iron Age’ sheep were introduced to Hirta, St Kilda's main island, owing to the competitive edge of the ferocious Soay rams over the new arrivals. In the 1880s, Pitt-Rivers, following his archaeozoological interests, was the first to keep Soays in his park, their epic journey from the edge of the Atlantic to southern England enabled by his acquaintance with their owner. In the early twentieth century, Soays featured in animal bone reports for archaeological sites, were kept in parks and involved in breeding experiments, particularly around Horsham, Sussex (where their owner lived), and in Edinburgh. The transfer of 107 Soays to Hirta in 1934 and 1935, after humans had evacuated St Kilda, was a remarkable feat, enabling the important long-running Soay Sheep Project. The historical exploitation of ‘feral’ Soay sheep by the islanders of St Kilda has significant cultural ramifications.

How people have classified things is one of the defining aspects of cognitive archaeology. Here we have been looking at the most obvious physical manifestations of protection, namely large enclosure walls.

The aim of this article is to investigate the sight, sound, smell and touch of different cloth types in the Late Ertebølle of southern Scandinavia and to argue that such an approach provides stimulating new insights into an area of material culture that has previously been studied by archaeologists in a highly empirical manner. The archaeological evidence drawn together in this article points to this as a time when furs and skin products were of prime importance and plant fibres were the basis for knotted nets, looped cloth and basketry. In the archaeological literature these cloth types are usually treated separately and described according to the species of raw materials, such as pine marten fur, or the technology of their production, such as couched button-hole stitch. Using an experiment where participants are asked to handle modern cloth types and answer structured questionnaires, it is possible to create a sensory description of these cloth types. These descriptive results are then used to reconsider aspects of cloth and clothing in the Late Ertebølle of southern Scandinavia. By moving from the standard technological description to a sensory description, the Mesolithic cloth types investigated in this article are placed within a sensory and phenomenological theoretical framework. The presentation of these results seeks to provide a new description of these materials and allow archaeologists to revaluate the culturally-embedded nature of cloth and clothing at that time.

While Marcel Mauss's landmark essay on The Gift has been vital in social anthropology, inspiring a vast and influential secondary literature, the gift has been much less prominent in archaeological interpretation. This study considers evidence for an ancient Andean gift economy, a system of reciprocal exchanges focused on making people and ensuring group social relations, rather than accumulating wealth/capital. Excavations at Yayno (north highlands, Ancash, Peru) revealed two features dating to the time of the Inkas: 1) a slab-lined cist burial; and 2) an offering deposit containing abundant long-distance trade and sumptuary items. Besides its mountaintop location, the burial's intrusive character and foreign items indicate that the offerings were made to propitiate the place, ruins and their divine aspect. This essay studies the reciprocal acts that led to the offerings, comparing them to gifting patterns in Inka human sacrifices known as capac hucha. The key actors in the exchange were children, divinities, Inka bureaucrats, local leaders and state subjects.

Of the diverse approaches to understanding patterns and processes in human evolution, a focus on the biology of behaviour using principles derived from the non-human primates may have some utility for archaeologists. This article seeks to outline some biologically-based areas that could prove fruitful in exploring the origins of human behaviour within the archaeological record. It attempts to initiate a dialogue between biologists, even with their limited understanding of the problems facing those working with human origins, and archaeologists, in the hope that this dialogue will move beyond a simple reductionist approach towards the goal of integrating behaviour into a more sophisticated biological perspective.

We print here the text of the Sixth McDonald Lecture, which Dr Jean Clottes delivered in Cambridge in November 1995. Dr Clottes is well-known as a leading figure in the study of Palaeolithic art, and has been closely involved with the recent discoveries at the Grotte Cosquer and Grotte Chauvet. In this article he discusses the key trends and advances in this field.

In the archaeology of death and burial, the premise that the dead were buried ritually and not simply disposed of seems to be accepted without argument. Where graves were reopened and reused for subsequent burials, however, the post-funeral manipulation of ‘older’ depositions is often regarded as having been primarily pragmatic and circumstantial. Countering this interpretative imbalance, we argue that the reuse of tombs was a highly complex procedure that forced communities into negotiating and formalizing, or even ritualizing, the way in which bodies and objects were acted on and engaged with. Taking the necropolis Giarnera Piccola/Ascoli Satriano in pre-Roman northern Apulia as a case study, and employing a microarchaeological-archaeothanatological perspective, we discuss the diverse and sometimes conflicting practices used to deal with pre-existing graves, objects and human remains, identifying tensions between maintaining or reconstructing the integrity of the body and intentionally manipulating and fragmenting it. We argue that repeatedly reused tombs constituted a socially and symbolically charged arena for a prolonged, active relationship with the deceased and for mobilizing, mediating and maintaining inter-generational memories.

Education is notoriously difficult to identify archaeologically, but crucial for understanding the inner workings of any society. Strikingly, in Mesoamerican archaeology, more seems to be known about the transmission of crafting skills than about practices of statecraft. Elsewhere in the ancient world, much evidence speaks to various social and institutional contexts in which specialized knowledge of histories, literacies, civics, and sciences was generated and taught as vital to state-making projects. Yet these same contexts among the Classic Period Maya (ad 200–900) remain poorly understood and under-theorized. Pulling from comparative research alongside recent work at the site of Xultun, Guatemala, this article explores how educational systems may have worked in Classic-era Maya polities—assessing evidence for educational loci, the different forms that education might assume, and the varied curricula that likely existed across different cities and particular demographics. Through this discussion, I seek to shed some light on the actors, gendered exclusions and diverse arrangements of pedagogy in Maya society, and grant further insight into how specialized bodies of knowledge (transmitted within formal educational institutions) were built into the very fabric of the Classic Maya states of which they were part.

Mortuary rituals are conservative and transformative. As practices of hands-on and conceptual learning, memory making, and inter-generational knowledge transfer they take place within Communities of Practice, where emotionality and temporalities shape learning about death, interment, and commemoration. Drawing on mortuary, ethnographic, and archaeothanatological evidence, this paper explores how inhabitants of the provincial Tiwanaku site Omo M10 (eighth–twelfth centuries ce) in southern Peru experienced and learned death and burial. The reconstruction of three stages of funerary ritual—body preparation, interment, and remembering—represents distinct episodes of bundling. During each stage, increasingly more diverse participants, materials, spaces, and activities differentially shape episodic memory formation and knowledge transfer. I propose that coming to understand the constituent participants, practices, and knowledge of mortuary ritual as emergent and heterogeneous Communities of Practice has important implications for the interpretation of synchronic and diachronic mortuary variability.

Given current interests in indigenous ontologies and multiple worldviews, archaeologists drawing on textual evidence must more fully contextualize ancient texts according to how they were perceived and experienced, and understood as capable, in the cultures that created them. This endeavour has methodological impacts for modern interpretations, shifting how we interpret textual evidence as a result of how written realities and histories might have been conceptualized in the past. I examine these topics through the case study of the Classic Maya (250–900 ad, Mexico and Central America), using imagery on painted ceramic vessels. I examine how the Classic Maya understood text and writing, asking: how were texts perceived? How did people relate to them? What capabilities were texts understood to have? Based on observations gleaned from the ways in which glyphs are shown, the ways people are shown interacting with them and the work that glyphs apparently accomplish, I argue that the Classic Maya understood texts to be real, relational and persistent. This article suggests a new direction for archaeological thinking about ancient written sources, complementary to other interpretive approaches to texts, by exploring productive possibilities that emerge when we take ancient experiential perspectives into account.

This article examines how landscape modification was key to the development of an urbanizing society within a valley in Chiapas, Mexico. The Late Preclassic (400 bc–ad 250) site of Noh K'uh demonstrates how both the altered and unaltered environment signified the importance of cosmological concepts within this society. In an area rich with mountains and caves, the natural landscape offered residents opportunities to create symbolically meaningful living spaces. Evidence from local settlements reveals how the cosmological universe played a guiding role during the site's peak growth period, suggesting that other common contributors (such as economic and militaristic needs) of expansion may have been secondary.

Poverty in ancient Egypt remains a rarely-studied subject. For decades Egyptologists have focused their attention mainly on the so-called ‘elite’, while the poor, their housing, their possessions, their diet, or their cultural values, remain largely in the shadows. Although they are much less visible archaeologically, they were much more numerous than the wealthy. Despite these circumstances, ancient Egypt provides a good starting point for discussing how to approach poverty during antiquity, as there are archaeological and textual records that can shed light on this complex issue. This article aims to stimulate reflection on the issue of poverty in the Nile valley and how it can be explored. It seeks also to add nuance to the idea of a strict dichotomy opposing the poor to the elite. In so doing, this paper will present discussion of the definition of poverty.