The grinding of stone to make sharp cutting edges did not evolve with the emergence of biologically modern humans in Africa, but late in the Pleistocene at the completion or nearcompletion of the Out-of-Africa 2 migration. Here we discuss the earliest securely-dated fragment of ground-edge axe from Australia, dated at 35,500 cal. bp, an age slightly older or comparable to the earliest ages for edge-grinding from the Pacific Ocean's western seaboard. In this region ground-edge axes did not evolve with the emergence of agriculture, nor for the clearance of forests, but, rather, as socially mediated technology, part of the development of symbolic storage that is the hallmark of the evolution of cognitively modern humans at the geographical end, during, or following, Out-of-Africa 2.

Archaeological investigations of public spectacle as mediated architecturally can provide an effective means to interpret culturally specific power asymmetries in prehistoric societies and the essential role of ritual performance in the creation of diverse forms of political subjectivity. A diachronic study of Late Formative (300–100 BC) and Moche (AD 550–800) ceremonial architecture from the Jequetepeque Valley in northern Peru demonstrates that archaeologists can approximate how power relations were materialized, conceptualized and contested in the Andes through their theatrical performance. Ultimately, a comparison of the performative construction of power with traditional archaeological indices of class-based inequalities reveals intriguing contradictions that both complicate and enrich our understanding of changing political structures in ancient Jequetepeque.

The evolution of Western Pueblo ritual has long been a focus of ethnographic and archaeological research in the American Southwest. Most of these studies emphasize the continuities between the late prehistoric period and the early historic era and highlight the role of katsina ritual in promoting social harmony or controlling weather and fertility. We suggest that a more complete understanding of ritual change during this time span requires a closer examination of the highly dynamic social landscape of the the thirteenth through eighteenth centuries. In particular, we suggest that the increasing evidence for raiding, conflict, and social opposition must be incorporated into new models of social and ritual change.

It is useful to view ceramic figurines from the Early Formative site of Paso de la Amada, Mexico, as both representations and products. That analysis links changes in a tradition of small, solid figurines to the rise of a novel social discourse concerning the elaboration and beautification of the human body. An increasing symbolic emphasis on the body may have been an important backdrop to the emergence of chiefly ideologies in the region.

Indigenous hunter-gatherers view the world differently than do WEIRD (Western, Educated, Industrialized, Rich and Democratic) societies. They depend—as in prehistoric times—on intimate relationships with elements such as animals, plants and stones for their successful adaptation and prosperity. The desire to maintain the perceived world-order and ensure the continued availability of whatever is necessary for human existence and well-being thus compelled equal efforts to please these other-than-human counterparts. Relationships of consumption and appreciation characterized human nature as early as the Lower Palaeolithic; the archaeological record reflects such ontological and cosmological conceptions to some extent. Central to my argument are elephants and handaxes, the two pre-eminent Lower Palaeolithic hallmarks of the Old World. I argue that proboscideans had a dual dietary and cosmological significance for early humans during Lower Paleolithic times. The persistent production and use of the ultimate megaherbivore processing tool, the handaxe, coupled with the conspicuous presence of handaxes made of elephant bones, serve as silent testimony for the elephant–handaxe ontological nexus. I will suggest that material culture is a product of people's relationships with the world. Early humans thus tailored their tool kits to the consumption and appreciation of specific animal taxa: in our case, the elephant in the handaxe.

We propose a new theory of human cognitive evolution, which we term Complementary Cognition. We build on evidence for individual neurocognitive specialization regarding search abilities in the modern population, and propose that our species cooperatively searches and adapts through a system of group-level cognition. This paper sets out a coherent theory to explain why Complementary Cognition evolved and the conditions responsible for its emergence. Using the framework of search, we show that Complementary Cognition can be contextualized as part of a hierarchy of systems including genetic search and cognitive search. We propose that, just as genetic search drives phenotypic adaptation and evolution, complementary cognitive search is central to understanding how our species adapts and evolves through culture. Complementary Cognition has far-reaching implications since it may help to explain the emergence of behavioural modernity and provides a new explanatory framework for why language and many aspects of cooperation evolved. We believe that Complementary Cognition underpins our species’ success and has important implications for how modern-day systems are designed.

The Aboriginal cultural traditions of Australia, their histories, philosophies and characteristics, have fascinated and intrigued European observers and scholars for a very long time. This paper explores some implications of recent ethnographic information and engagements related to the themes of Indigenous rock art, knowledge and the understanding of Country in the Kimberley region, Western Australia, for the interpretation of archaeological evidence. It is argued that the Aboriginal understanding of cultural features and practices, rock art and the natural environment is best described within a framework of relational ontology. This orientation has important consequences for the conceptualization of a range of interrelated key themes, most importantly ‘space and place’, ‘story and narrative’ and ‘knowledge and representation’. Thus, the paper calls for the development of opportunities of intellectual engagement and exchange as well as collaborative and creative responses, which should also include new forms of expression in academic contexts that themselves reflexively engage with the limitations of writing and representation.

The Classic Maya, like many peoples in the ancient world, paid keen attention to male youths as a key age/gender grade, and, in the Maya example, to those who would inherit a courtly world of privilege and domination. Detection of glyphic texts and images relevant to male youth reveals them to be a major interest of elite Classic society, participating in tribute, dances and battle. This transient status, marked by infancy and juvenility on one end, adulthood and ancestral status on the other, led to the production of drinking vessels and sundry goods owned by ‘great youths’, presumably those soon to marry or enter adulthood. Homosocial and homoerotic impulses conditioned male youth among the Classic Maya, if in ways that remain only faintly or intermittently visible. The probability nonetheless exists that this evidence represents a thin slice of Classic society, skewed by elite concerns with reproducing elite attributes across generations.

Weighing devices are the earliest material correlates of the rational quantification of economic value, and they yield great potential in the study of trade in pre-literate societies. However, the knowledge of European Bronze Age metrology is still underdeveloped in comparison to Eastern Mediterranean regions, mostly due to the lack of a proper scientific debate. This paper introduces a theoretical and methodological framework for the study of standard weight-systems in pre-literate societies, and tests it on a large sample of potential balance weights distributed between Southern Italy and Central Europe during the Bronze Age (second–early first millennium bc). A set of experimental expectations is defined on the basis of comparisons with ancient texts, archaeological cases and modern behaviour. Concurrent typological, use-wear, statistical and contextual analyses allow to cross-check the evidence against the expectations, and to validate the balance-weight hypothesis for the sample under analysis. The paper urges a reappraisal of an independent weight metrology for Bronze Age Europe, based on adequate methodologies and a critical perspective.

This article considers the role of anthropomorphic imagery in the constitution of subjects in Neolithic Thessaly, Greece. To accomplish that, material culture is seen as discourse, i.e. an articulating practice, which through its reiteration empowers certain positions rather than others. The objective of the study is to identify some aspects of the forms that specific anthropomorphic figures encourage or oblige those positions to take. These aspects pertain mainly to the human body. One conclusion is that there is a shift from an emphasis on the image of movement to an emphasis on the static image of the body and a concomitant interest in the head.

This article discusses relational ontology and its significance for interpreting archaeological material from post-medieval contexts. The general theory of the relational constitution of the world is first introduced and some of its implications discussed in relation to the ‘meaning’ of artefact biographies. Second, by drawing from folk beliefs, the article considers how people in early modern Finland recognized the relational constitution of the world, which in turn provides new insights into the local mode of perceiving and engaging with the material world. The case of household spirits and human relationship with buildings is taken as an example. The archaeological material discussed in the article derives from the seventeenth-century town of Tornio in northern Finland.

The naturalistic rock art of Yunnan Province is poorly known outside of China despite two decades of investigation by local researchers. The authors report on the first major international study of this art, its place in antiquity and its resemblance to some of the rock art of Europe, southern Africa and elsewhere. While not arguing a direct connection between China, Europe and other widely separated places, this article suggests that rock-art studies about the nature of style, culture contact and the transmission of iconography across space and time need to take better account of the results of neuroscience research, similar economic/ecological circumstances and the probability of independent invention.

A model of five major chronological phases is suggested for the history of human dance. These phases did not replace one another, but accumulated as successive layers. The earliest phase is associated with courtship, thus explaining the potent role of dance in sexual desire and seduction. The second phase is associated with the appearance of modern human behaviour and the earliest burials, which were rites of passage that involved the first communal dances. The third phase is associated with the appearance of hybrid human-animal figurines that point to altered states of consciousness and aspirations to change reality; this is when trance dance, shamanism, magic and religion came in. The fourth phase is connected with the beginning of agriculture in Neolithic villages, which was coordinated by elaborate calendrical ceremonies. The fifth and final phase is associated with urban societies, economic complexity and specialization; well-trained professional dancers now performed acrobatic body movements and elaborate choreography for the enjoyment of others. The history of dance thus reflects the history of human rituals and religion.

A reexamination of the published data concerning PPNA Jericho is used to demonstrate that various building operations, especially the monumental buildings, were actively functioning in several social spheres, both at the inter-group and intra-group levels. At the inter-group level, the monumental buildings served as a means to establish a hold over an area with favourable resources. At the intra-group level, they functioned in founding and regulating new types of socioeconomic relations. Central themes in the changes occurring at this level include production intensification and the growing prominence of long-term delayed-return obligations within the socioeconomic system

Early depictions of anthropomorphs in rock art provide unique insights into life during the deep past. This includes human engagements with the environment, socio-cultural practices, gender and uses of material culture. In Australia, the Dynamic Figure rock paintings of Arnhem Land are recognized as the earliest style in the region where humans are explicitly depicted. Important questions, such as the nature and significance of body adornment in rock art and society, can be explored, given the detailed nature of the human figurative art and the sheer number of scenes depicted. In this paper, we make a case for Dynamic Figure rock art having some of the earliest and most extensive depictions of complex anthropomorph scenes found anywhere in the world.

Urbanization of the world's first cities involved the social integration of greater scales of community membership as well as the social differentiation of individuals along the continua of wealth, power, and occupational specialization that define urban landscapes. This article considers the causal role of public ritual in these processes during the period of incipient urbanism in central Mexico (c. 600 BC–AD 100) by examining temple and plaza offerings at La Laguna, a town within an urbanizing cultural landscape whose inhabitants participated in the transformative exchanges that resulted in urban state capitals such as Teotihuacan.

The site of Göbekli Tepe in southeastern Turkey keeps fascinating archaeologists as it is being exposed. The excavation since 1995 has been accompanied by a lively discussion about the meaning and implications of its remarkable early Neolithic megalithic architecture, unprecedented in its monumentality, complexity and symbolic content. The building history and the chronological relations between the different structures (enclosures), however, remain in many ways a challenge and open to further analysis. The study presented here is an attempt to contribute in this direction by applying a preliminary architectural formal analysis in order to reconstruct aspects of the architectural design processes involved in the construction of the monumental enclosures. This is done under the premise that such investigation would shed light on the chaîne opératoire of the enclosures' construction and their history, thus enabling a fresh look as well as an evaluation of past suggestions regarding these structures and the people who built them. Indeed, the results of the analysis brought to light an underlying geometric pattern which offers a new understanding of the assemblage of architectural remains indicating that three of the stone-built large enclosures were planned and initially built as a single project.

There has been much controversy recently regarding Lewis-Williams's assertion that altered states of consciousness and shamanism can explain Palaeolithic art. Evidence now seems to be accumulating that this account is unable to provide a sustainable explanation for Upper Palaeolithic depictions. This proposition will be explored and substantiated by examining further weaknesses contained therein. Additionally, in response to claims by those defending altered states that no alternative explanation for palaeoart has been proposed as a viable alternative, it will be shown that such a description does exist but has not been given the attention it deserves because of a misplaced concern for shamanism.