This article explores state/NGO/funder relations in Africa through an ethnographic case study of Malawi’s Readmission Policy. The Policy, which banned the permanent expulsion of pregnant girls from school in 1993, underwent a formal, government-led review in 2016. By focusing attention on the daily work of “middle figures”—the mid-level civil servants, NGO representatives, and consultants who participated in the policy reform process—this article shows how state disempowerment in Malawi was not wholesale, even as aid funding for development policymaking bypassed government. Rather, government actors deployed key strategies, including time (mis)management, to reclaim moral authority over Malawian schools.

This article looks at the characteristic shirts of the donso, or initiated Mande hunters. Often described in the literature as visual displays of the wearer’s power, in the context of contemporary Burkina Faso these shirts are instead an example of how hunters deal with representations of power through an aesthetics of concealment (Ferme 2001). An excess of display is conversely connected with the politics of state-recognized hunters’ associations. Issues of ecological change, local conceptions of power, and contemporary struggles with state authority intersect in the practices and discourses on hunters’ shirts.

Electricity demand exceeds supply in many parts of Africa, and this often results in rolling blackouts. This article argues that blackouts tend to concentrate on poorer places within countries, due to both economic and political factors. This argument is tested with an analysis of electricity availability across thirty-two neighborhoods in Accra and survey data from thirty-six African countries. Across these analyses, poorer people with a grid connection experience lower electricity supply than richer people. This article concludes by discussing implications for research on electricity availability, policymakers working on energy, and the distributive politics literature.

In the world of Nigerian beauty pageants, the bikini remains a fraught embodied symbol and aesthetic practice. Pageant affiliates, critics, and fans alike strongly debate the question of whether to include bikinis in these events. This article draws primarily from nearly a year of ethnographic observations of two Nigerian national beauty contests in 2009-2010 to show how various stakeholders used personal, domestic, and international frames about women’s bodies, and the bikini in particular, to bolster respectability. Through embodied respectability, women’s figurative and literal bodies were used to strategically situate propriety, social acceptance, and reputability for the self and the nation.

Based on an extended study of Zimbabwean women migrants in the Gauteng Province of South Africa, this article focuses on these women both as mothers and as labor migrants, seeking to understand their migration intentions in relation to changing policy and law in South Africa. It also focuses on their responses to the changes in policy as they seek to renegotiate the border. The strategies adopted by the women in negotiating the border not only demonstrate their agency, but are also intricately linked to their migration intentions. Their responses are critical to our understanding of contemporary migration in the region.

The first two decades of the twenty-first century witnessed expanded digital connectivity, with important political implications, evident in the way activists used Facebook and Twitter to mobilize for political change in North Africa and beyond in 2010/2011, and in Sudan, including in 2018 and 2019. These platforms are also often sites where women may articulate narratives on the body and the body politic. Through digital ethnographic research, this study explores social and cultural narratives on everyday body aesthetics that Sudanese women articulate in selected groups on Facebook. I argue that the role some of these groups played in organizing civil disobedience in Sudan in November 2016 disrupts the binary inherent in the question: Nairat or Thairat?

This article examines an environmental experiment in northern Kenya that went badly amiss. Focusing on the introduction of an invasive plant, prosopis juliflora, it explores wider issues of scientific hegemony, political identity, and land conflicts. Two legal cases pitting a small pastoralist community against the Kenyan state are discussed, which reveal a new but generally unsuccessful strategy by indigenous groups of utilizing courts to address injustices. The research draws on ethnographic, archival, and visual materials collected over a thirty-five-year period to demonstrate the violence and impoverishment that can be associated with technical interventions aimed at “greening” the environment.

Secrecy and its performative display have been privileged perspectives in the study of poro and similar power associations in West Africa. I develop an alternative understanding of the Senufo poro as an institution that fosters and sustains bodily experience, establishing an all-embracing sensory regime for members as well as non-members in their villages. Participation in nighttime funerary rites creates the image of an invisible social body, and shared bodily experience informs collective intentionality towards the social. Serving as a stable nodal point in everyday discourse, this function contributes to the recent revitalization of poro associations in Côte d’Ivoire’s post-conflict society.

The hunting songs of the majority-Muslim, Odienné region of Northwestern Côte d’Ivoire accomplish more than meets the ear. They conjoin and distinguish Muslim goals and ostensibly non-Muslim hunting practices. The musical repertoire of my host, Dramane Coulibaly, is illustrative. This study examines the role that Dramane’s songs played in motivating initiated dozo hunters to kill game during dozo funerals, a primary concern for dozos at these events. Next, it analyzes the structure and content of Dramane’s songs in relation to the embodied, emplaced, and material dimensions of dozo funerals, where Dramane’s performances served to calm the spirits of the dead so that they would leave the living in peace. Finally, it examines the musical aspects of Dramane’s songs in relation to Islam, with the aim of broadening the study of Islam in West Africa and beyond to encompass the texts and performance practices of dozo funerals.

This article, part of a historical study of childbirth in the Sahel, draws upon oral interviews, ethnographic materials, and studies of midwifery to explore placenta burial in Niger. In the region the placenta is often referred to as the “traveling companion” that ushers the new human from one world to the next. Only through proper respect toward the placenta by means of careful burial can a woman’s future fertility be protected. The importance of protecting a woman’s future reproductive capacity accounts for both the centrality of this ritual to childbirth and for the appeal of the ritual expertise of elderly “traditional birth attendants” despite access to bio-medically trained midwives. Protecting a vulnerable parturient mother from the envy of those (such as co-wives) who might “tie up” her womb is an integral part of the process of childbirth. Appropriate placenta burial orchestrated by a woman’s therapy management group makes good on the cyclical intergenerational entrustment through which ancestors and descendants endure in a cycle linking birth and death, planting, and burial. “Traditional” rituals bear marks of major shifts in the agricultural economy, rapid urbanization, and ongoing adoption and reinterpretation of Islam. Multi-generational interviews reveal that across a broad range of ethnicities, status groups, and educational profiles, women in Niger share a concern for proper placenta burial. This approach to preserving women’s reproductive health and fertility is shared by adjacent neighbors, generations, and ethnicities.

This study investigates household expenditures on magico-religious powers in Southern Benin, with a novel focus on malevolent powers. Of 126 households, 18 percent reported expenditures on malevolent powers within the previous thirteen years. Investment in such powers for malevolent purposes was found to be significantly less frequent than for cure or protection. In line with existing literature, the following factors were found to be positively correlated with investment in malevolent powers: (1) living with a partner; (2) jealousy of economic success; (3) conflict within a social circle. Expenditures on powers for cure and protection are positively correlated with expenditures on malevolent uses.

This article examines the malaḥfa, a veil that has long been popular in Mauritania, using the scholarship of materiality to analyze how it and the wearer co-constitute each other. This approach demonstrates how the malaḥfa’s particular form and fabric provide women with certain constraints and possibilities; women activate these qualities to exercise agency, be it in redefining their positions in the social hierarchy, exercising control in their relationships, or asserting authority over others. Focusing on the malaḥfa’s materiality illustrates how such garments can be central to women’s agency and power, and demonstrates how women shape the broader social hierarchy.

This article analyzes the relationship between Mande hunters (dozos) and the Ivorian state in the prefecture of Ouangolodougou in northern Côte d’Ivoire. Having adopted a prominent security role during the violent conflict of 2002–2011, dozos have made continuing efforts to maintain their position in the post-conflict state. To negotiate their position, they draw on a performative repertoire, such as the display of powerful attributes in the context of processions. Although they have had to concede some more strategic and profitable activities to the reestablished state, dozo chiefs effectively govern the rural northern borderlands of Côte d’Ivoire.

This article is about self-defense movements in Burkina Faso, with an emphasis on the interplay of political pragmatics and cultural representation in public debate. It examines how two different self-defense movements—the dozos and the koglweogos—articulate tradition and politics with respect to locally organized self-defense in present-day Burkina Faso. In addition to a description of these movements, this comparative study of self-defense movements adds the important dimension of political rivalry and antagonism between the movements under study. First, it demonstrates how the state has tried to contain self-defense movements. Second, the emergence of koglweogos is analyzed with respect to public debate, as well as the state’s attempts to contain the movement bureaucratically. Third, it describes how dozos and koglweogos seek to assert public authority in “the new Burkina Faso” that has taken shape since the fall of Blaise Compaoré in October, 2014. More specifically, this article is devoted to the conflictual relationship between the dozos and the koglweogos that was publicly enacted in late 2016 and early 2017. Self-defense movements must not only be locally and traditionally legitimate, but they also need to be responsible actors in the national political space. Hence, “performing tradition, while doing politics” simultaneously represents the political containment and the cultural legitimacy of the self-defense movements.

This study examines how Anglophone urban elites in 1960s metropolitan Cameroon negotiated local and global ideas about culturally constructed forms of “natural” black beauty. Formally-educated Christian urbanites, such as freelance female journalists, who often worked as civil servants, sought to discipline women’s bodily practices and emotional expressivity in order to regulate the boundaries of perceived feminine respectability and to define a woman’s “natural” beauty, a descriptor with both internal and external implications. The language they used included both local terms such as nyanga, a Cameroonian Pidgin English word for varied ideas about beauty and stylishness, and standard English terms. This specific use of language illustrates the hybridity of understandings of natural beauty and bodily comportment, painting a distinct African imagery denoting the social progression of black Cameroonian elite subcultures.