9883 results in Twentieth-Century and Contemporary Music
IASPM's 13th Biennial Conference: a review from the periphery
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 127-130
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- January 2006
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Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939–1954. By Jeffrey J. Lange. Athens, GA: University of Georgia Press, 2004. 336 pp. ISBN 0-8203-2622-4 (cloth), ISBN 0-8203-2623-2 (paper)
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 134-136
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- January 2006
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‘Must Be Born Again’: resurrecting the Anthology of American Folk Music
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 57-75
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- January 2006
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‘Loaded’: indie guitar rock, canonism, white masculinities
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 77-95
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- January 2006
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Introduction
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 1-2
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- January 2006
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Snobs and quétaines: prestige and boundaries in popular music in Quebec
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- Popular Music / Volume 25 / Issue 1 / January 2006
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- 17 February 2006, pp. 97-116
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- January 2006
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On Musical Mediation: Ontology, Technology and Creativity
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 7-36
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Lou Harrison and the Aesthetics of Revision, Alteration, and Self-Borrowing
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 79-107
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Suzanne Robinson, ed. Michael Tippett: Music and Literature (Aldershot: Ashgate, 2002), ISBN 0-7546-0132-3
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 137-142
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Hidden Places: Hyper-realism in Björk’s Vespertine and Dancer in the Dark
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 37-51
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Robin Holloway, On Music: Essays and Diversions (Brinkworth, Wilts: Claridge Press, 2003), ISBN 1-8070626-74-5
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 150-156
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Kofi Agawu, Representing African Music: Postcolonial Notes, Queries, Positions (New York and London: Routledge, 2003), ISBN 0415943892 (hb), 01415943906 (pb)
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 146-150
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Editorial
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 3-5
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The London Sinfonietta 1968–2004: A Perspective
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 109-136
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Multivalence and Collaboration in Benjamin Britten’s Death in Venice
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 53-78
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Andy Nercessian, Postmodernism and Globalization in Ethnomusicology: An Epistemological Problem (Lanham, Maryland and London: Scarecrow Press, 2002), ISBN 0-8108-4122-3
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 142-146
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9 - Austria and Germany, 1918–1960
- from Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 146-164
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Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp -
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7 - Neo-classical opera
- from Part two - Trends
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 105-122
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19 - Technology and interpretation: aspects of ‘modernism’
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 321-340
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