9883 results in Twentieth-Century and Contemporary Music
Michael Brocken, The British Folk Revival, 1944–2002 (Aldershot: Ashgate, 2003), ISBN 0 7546 3281 4 (hb), 0 7546 3282 2 (pb)
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 309-312
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Supremacy, Debasement, and Symbolic Investiture in Lawrence Kramer's Modern ‘Opera’: a Review of Lawrence Kramer, Opera and Modern Culture: Wagner and Strauss (Berkeley and London: University of California Press, 2004), ISBN 0 520 24173 8 (hb)
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 265-302
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Cool Charts or Barbertrash? Barbershop Harmony’s Flexible Concept of the Musical Work
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 245-263
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Stephen Cottrell, Professional Music-Making in London: Ethnography and Experience (Aldershot: Ashgate, 2004), ISBN 0 7546 0887 5 (hb), 0 7546 0889 1 (pb)
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 312-316
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Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 221-243
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Richard Steinitz, György Ligeti: Music of the Imagination (London: Faber and Faber, 2003), ISBN 0 571 17631 3 (hb)
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 302-309
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Acoustic Architecture: Music and Space in the Video Installations of Bill Viola
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 197-219
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The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain
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- Twentieth-Century Music / Volume 2 / Issue 2 / September 2005
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- 15 August 2006, pp. 159-195
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From Peering in the Window to Opening the Door: a constructivist approach to making electroacousticmusic accessible to young listeners
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 179-187
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- August 2006
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Making the Archive and Archiving the Making: insights and outcomes from a major research project
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 143-147
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- August 2006
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Towards a semiotic model of mixed music analysis
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 93-100
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- August 2006
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Analysing and Transcribing Electroacoustic Music: the experience of the Portraits polychromes of GRM
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 125-129
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- August 2006
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Juxtaposition and Non-motion: Varèse bridges early modernism to electroacoustic music
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 159-171
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- August 2006
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Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 189-200
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- August 2006
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EDITORIAL
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 91-92
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- August 2006
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The Analysis of Electroacoustic Music: from sources to invariants
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 101-112
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- August 2006
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Noise/music and representation systems
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 173-178
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- August 2006
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The Identity of the Work: agents and processes of electroacoustic music
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 113-118
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- August 2006
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Gestural-Sonorous Objects: embodied extensions of Schaeffer's conceptual apparatus
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 149-157
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- August 2006
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Something Lost, Something Hidden, Something Found: electroacoustic music by Latin American composers
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- Organised Sound / Volume 11 / Issue 2 / August 2006
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- 14 August 2006, pp. 131-142
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- August 2006
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