9883 results in Twentieth-Century and Contemporary Music
PMU volume 31 issue 2 Cover and Front matter
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- Popular Music / Volume 31 / Issue 2 / May 2012
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- 23 April 2012, pp. f1-f7
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- May 2012
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Who Killed the Concert? Heinrich Besseler and the Inter-War Politics of Gebrauchsmusik
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 29-48
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TCM volume 8 issue 1 Cover and Front matter
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. f1-f3
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Björn Heile, ed., The Modernist Legacy: Essays on New Music (Farnham: Ashgate, 2009), ISBN 978-0-7546-6260-0 (hb)
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 113-119
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Mixing with Mozart: Aesthetics and Tradition in Helmut Lachenmann's Accanto
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 71-97
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Notes on Contributors
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, p. 1
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Rachel Beckles Willson, Ligeti, Kurtág, and Hungarian Music during the Cold War (Cambridge: Cambridge University Press, 2007), ISBN 978-0-5218-2733-1 (hb)
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 125-130
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Julian Johnson, Mahler's Voices: Expression and Irony in the Songs and Symphonies (Oxford: Oxford University Press, 2009), ISBN 978-0-19-537239-7
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 105-113
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Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (Rochester, NY: University of Rochester Press, 2010), 978-1-58046-325-6
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 119-124
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‘Alte Musik’ or ‘Early Music’?
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 3-28
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Appendix: Fundamental Issues of Musical Listening (1925)
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 49-70
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TCM volume 8 issue 1 Cover and Back matter
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. b1-b6
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Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink, eds, The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009), ISBN 978-0-521-86582-1 (hb), 978-0-521-68461-3 (pb) - Amanda Bayley, ed., Recorded Music: Performance, Culture, and Technology (Cambridge: Cambridge University Press, 2010), ISBN 978-0-521-86309-4 (hb)
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- Twentieth-Century Music / Volume 8 / Issue 1 / March 2011
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- 23 February 2012, pp. 99-105
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OSO volume 17 issue 1 Cover and Front matter
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. f1-f2
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- 14 February 2012
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Sound and movie examples – issue 17(1)
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, p. 96
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- 14 February 2012
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Rethinking Collaboration in Networked Music*
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. 28-35
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- 14 February 2012
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Composing for a Networked, Pulse-Based, Laptop Orchestra*
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. 56-61
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- 14 February 2012
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Syneme: Live
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. 86-95
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- 14 February 2012
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Building on the Foundations of Network Music: Exploring interaction contexts and shared robotic instruments*
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. 62-72
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- 14 February 2012
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Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages
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- Organised Sound / Volume 17 / Issue 1 / 14 February 2012
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- 14 February 2012, pp. 4-15
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- 14 February 2012
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