9925 results in Twentieth-Century and Contemporary Music
Amy Bauer, Ligeti's Laments: Nostalgia, Exoticism, and the Absolute (Farnham and Burlington, VT: Ashgate, 2011), ISBN 978-1-4094-0041-7 (hb)
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 227-234
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Erik Levi, Mozart and the Nazis: How the Third Reich Abused a Cultural Icon (New Haven: Yale University Press, 2010), ISBN 978-0-300-12306-7 (hb)
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 234-240
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The Dramaturgical and Compositional Genesis of Luigi Nono's Intolleranza 1960
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 101-141
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Editorial
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 3-10
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Daniel Grimley, Carl Nielsen and the Idea of Modernism (Woodbridge: Boydell Press, 2010), ISBN 978-1-84383-581-3 (hb)
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. 149-156
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Masculine Semiotics: the Music of Goffredo Petrassi and the Figurative Arts in Italy during the 1930s
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 11-37
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Notes on Contributors
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 1-2
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TCM volume 9 issue 1-2 Cover and Front matter
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. f1-f3
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A Semblance of Freedom: Karl Amadeus Hartmann between Democratic Renewal and Cold War, 1945–7
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 143-159
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Martin Munro, Different Drummers: Rhythm and Race in the Americas (Berkeley: University of California Press, 2010), ISBN 978-0-520-26283-6 (pb)
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. 156-163
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Straightening the Record: Morton Feldman's Return to Graph Music
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. 59-90
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TCM volume 10 issue 1 Cover and Back matter
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. b1-b2
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Spaces of Resistance: the Adorno–Nono Complex
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 79-99
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Matthew Riley, ed., British Music and Modernism, 1895–1960 (Farnham: Ashgate, 2010), ISBN 978-0-7546-6585-4 (hb)
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
- Published online by Cambridge University Press:
- 27 March 2013, pp. 141-149
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Resituating the Icon: David Osmond-Smith's Contribution to Music Semiotics
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 177-200
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Understanding Indeterminate Music through Performance: Cage's Solo for Piano
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. 91-113
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Jason Toynbee and Byron Dueck, eds, Migrating Music (London: Routledge, 2011), ISBN 978-0-415-59448-6 (hb)
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- Twentieth-Century Music / Volume 10 / Issue 1 / March 2013
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- 27 March 2013, pp. 163-166
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Max Paddison and Irène Deliège, eds, Contemporary Music: Theoretical and Philosophical Perspectives (Farnham: Ashgate, 2010), ISBN 978-0-7546-0497-6 (hb)
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 213-220
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Mary Bauermeister, Ich hänge im Triolengitter: mein Leben mit Karlheinz Stockhausen (Munich: C. Bertelsmann, 2011), ISBN 978-3-570-58024-0
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
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- 27 March 2013, pp. 221-227
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Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction
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- Organised Sound / Volume 18 / Issue 1 / April 2013
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- 26 March 2013, pp. 81-91
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- April 2013
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