5776 results in Nineteenth-Century Music
13 - (Opera) Fever in Belle Époque Manaus
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- Italian Opera in Global and Transnational Perspective
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- 17 March 2022
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- 24 March 2022, pp 261-277
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Tables
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp ix-ix
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15 - Epilogue
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp 298-303
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Contents
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp v-vi
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1 - Opera and Italianità in Transnational and Global Perspective
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp 1-40
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11 - Italian Impresarios, American Minstrels and Parsi Theatre
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp 214-238
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5 - Italian Opera in Vormärz Vienna
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp 96-112
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10 - Arcadia Undone
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- Italian Opera in Global and Transnational Perspective
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- 24 March 2022, pp 192-213
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6 - Southern Exchanges
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- 24 March 2022, pp 113-132
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3 - Nina d’Aubigny’s ‘Italian Voice’
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- Italian Opera in Global and Transnational Perspective
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- 17 March 2022
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- 24 March 2022, pp 59-76
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Longing for the Tonic in Robert Schumann's ‘Meine Rose’ Op. 90 No. 2 and Fantasiestück Op. 73 No. 1
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- Nineteenth-Century Music Review / Volume 20 / Issue 2 / August 2023
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- 21 March 2022, pp. 385-408
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Italian Opera in Global and Transnational Perspective
- Reimagining Italianità in the Long Nineteenth Century
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- 17 March 2022
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- 24 March 2022
Letting the Music ‘Speak For Itself’? Dvořák as Strategist
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- Nineteenth-Century Music Review / Volume 19 / Issue 3 / December 2022
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- 07 March 2022, pp. 599-624
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Wagner's Shakespeare: Das Liebesverbot, the Problem Comedy and the Carnivalesque
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- Nineteenth-Century Music Review / Volume 20 / Issue 3 / December 2023
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- 07 March 2022, pp. 471-500
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Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM
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- Nineteenth-Century Music Review / Volume 19 / Issue 3 / December 2022
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- 03 March 2022, p. 573
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Historiographical Reflections on the Beethoven Year 250
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
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- 15 February 2022, pp. 143-158
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Nicholas Temperley, Edward Loder, and Retrospect Opera's Raymond and Agnes
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
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- 15 February 2022, pp. 127-137
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The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten; Jeremy Huw Williams, bar; Simon Wilding, bass; Ted Schmitz, ten; Rebecca Louise Dale, mezzo-sop; Mark Nathan, bar Retrospect Opera RO001, 2016 (2 CDs: 73 minutes, 74 minutes). - Pickwick, music by Edward Solomon and libretto by F.C. Burnand Cups and Saucers, music and libretto by George Grossmith. Simon Butteriss, bar; Gaylor Keeble, mezzo-sop; Toby Stafford-Allen, bar; and Alessandro MacKinnon, treble; directed from the piano by Stephen Higgins Retrospect Opera RO002, 2017 (1 CD: 74 minutes).
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
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- 14 February 2022, pp. 119-125
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‘Wanted – An Opera’
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
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- 14 February 2022, pp. 139-142
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Stylistic Duality in Gabriel Fauré's Music for Pauline Viardot's Salon
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- Nineteenth-Century Music Review / Volume 20 / Issue 2 / August 2023
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- 14 February 2022, pp. 409-432
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