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5 - Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Constellation’
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14 - Pierre Boulez and the Suspension of Narrative
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Bibliography
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Index
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4 - ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’
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Copyright page
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13 - Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival
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12 - Pierre Boulez in London: the William Glock Years
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1 - Pierre Boulez: Composer, Traveller, Correspondent
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Part I - The Context of the Late 1940s and 1950s
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7 - ‘Alea’ and the Concept of the ‘Work in Progress’
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Pierre Boulez Studies
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2 - Traces of an Apprenticeship: Pierre Boulez’s Sonatine (1946/1949)
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Acknowledgements
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11 - Composing an Improvisation at the Beginning of the 1970s
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9 - Serial Processes, Agency and Improvisation1
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3 - Schoenberg vive
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10 - Listening to Doubles in Stereo
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Part II - The Evolution of a Style
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Contributors
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