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As long as the modern nation-states of France and the United States have existed, people have constructed families across their borders. For example, in 1782, Elizabeth Livingston of New York married the Comte de Mosloy, attaché to the French Minister. During the French Revolution, Edmond- Charles Genêt, French ambassador to the United States, married Cornelia Clinton, the daughter of New York Governor George Clinton (1794), and soon after, Betsy Patterson of Baltimore married Jérôme Bonaparte, brother of Emperor Napoleon I (1803). In the early nineteenth century, Maria Bingham of Philadelphia first married Jacques Alexandre, Comte de Tilly and later wed the Marquis de Blaizel (1826); whereas Prince Napoleon Lucien Charles Murat married Caroline Georgina Fraser of Charleston (1831). While these early marriages likely occurred by chance and in relatively small numbers, as the nineteenth century continued—a century marked by growing nationalism and heightened boundary-making—a noticeable pattern of transnational marriages began to emerge between wealthy American women and European aristocrats. According to contemporary American commentator Gustavus Meyers, by 1909, five hundred American heiresses had married titled nobility and had taken nearly $220 million out of the United States to Europe. While these women entered into matrimonial contracts with nobility from all over Europe, an overwhelming majority of these marriage contracts were established with men from Great Britain and France.
Even though these mixed marriages were not entirely exceptional, they remained (and in many ways continue to remain) exceptional in public discourse as contemporaries and historians struggled to explain their occurrence. For example, in January of 1887 the American newspaper Town Topics: Journal of Society published the following story:
Direct from the banks of the Seine: M. le Duc de Charenton is a nobleman of the type common in the palmy days of the Second Empire. Paris laughed at his eccentricities then, and Paris is laughing still […] This gay old dog of Napoleon’s court has been living for years “au troisième,” apparently dead broke, in a slum at Montmartre. He has been seen at odd intervals late at night on the Boulevards, evidently on the prowl: but he has always dodged old acquaintances and was generally written off by society as a bad debt.
The gamekeeper played an important role in the development of modern gamebird shooting but has been peripheral in many analyses of the sport, which have tended to focus on the poacher, the landed elite, or the game laws. This study places the gamekeeper in a central position and, for a selection of counties, provides a detailed examination and comparison of changes in gamekeeper numbers between 1851 and 1921. The influence on gamekeeper numbers of population changes, estate area, landowner numbers and poaching prosecutions were also examined. Significant differences were found between the counties in gamekeeper numbers, and the magnitude and timing of changes in these. Average estate area varied greatly with no direct link to the area of the county, or to the number of gamekeepers on an estate. The type of quarry and interest of the landowner were important in determining the number of gamekeepers employed. In some counties, there may have been a link between the level of poaching and gamekeeper numbers, but there were significant differences between the counties. The results indicated a complex, regionally nuanced, picture in which factors such as the location, primary quarry and poaching pressure, as well as the interests of the landowner and the depth of his pockets, determined gamekeeper numbers.
This article examines the various ways new wealth infiltrated the Welsh gentry during the late eighteenth and early nineteenth centuries, considering the behaviours and actions of new men, together with the processes they followed to assimilate into the world of the old families. This study emphasises a level of openness of landed society to new arrivals able to comport themselves according to the expectations of the existing social elite. It demonstrates that acquiring land and property, which served as a visible display of their wealth, was only one strategy deployed by new wealth to secure gentry status. Other approaches included building country houses, consuming fashionable goods, undertaking public duties, political representation, drawing on culture and living heritage by projecting an image of ancient lineage (Welsh gentry understanding of Welshness was heavily reliant on lineage) through name-changing, adopting coats of arms and family mottos.
Soghomon Tehlirian was acquitted in Berlin in 1921 for the killing of Talat Paşa, Ottoman minister and architect of the Armenian Genocide. Complicating clear-cut distinctions between truth and fabulation, and personal revenge and legal justice, this paper examines the 1921 trial in light of Tehlirian’s 1953 memoir, to show the legal, moral, and epistemological work done by the ghost of Tehlirian’s mother. I move beyond the usual designations of Tehlirian as mere political assassin or self-evident moral witness and consider him instead as an “empirical fabulist.” My coinage of the term empirical fabulation is animated by Saidiya Hartman’s (2008) call for “critical fabulation,” and my reading of Tehlirian as an empirical fabulist recognizes him as a genocide survivor who aspired for collective justice, a son haunted by his mother’s ghost, and a historical actor who gave a fabricated testimony that was nonetheless based on the empirical facts of genocide. This paper is an invitation to explore the political and ethical potential, and perhaps even the necessity, of fabulation in recounting acts of genocidal violence that strain or defy straightforward representation, especially in cases when the existing rule of law does not rise to the demands for justice.
This article explores the environmental transformation of the moorland (landes) of southwestern France from a much maligned “wilderness” or “empty space” to a forested landscape coveted for its productive potential as well as its aesthetic beauty. This occurred in two stages from the eighteenth century to the present and was effected by the French state and local landowners. It bears resemblance to processes of environmental change in North America, Central Asia, and Africa, where states and colonial or imperial powers took measures to develop alleged empty spaces through seizure, development, and settlement. Drawing on paradigms of colonial rule and Henri Lefebvre’s theory regarding the production of space, the article examines the eradication of the “wilderness” of the region of the Landes, which led to the displacement of its pastoral populations and the end of their way of life. It explores the role of technology in consolidating the power of territorial states and empires and the significance of the parallels that can be drawn between the Landes and France’s overseas empire. Finally, it attests to the porosity of the boundary between man-made and natural landscapes, while illuminating the process by which the artificial forested landscape of the Landes ironically came to be redefined and revalorized as “natural” national heritage that was ripe for environmental protection by the second half of the twentieth century.
This article provides a textured history of the multivalent term “hindu” over 2,500 years, with the goal of productively unsettling what we think we know. “Hindu” is a ubiquitous word in modern times, used by scholars and practitioners in dozens of languages to denote members of a religious tradition. But the religious meaning of “hindu” and its common use are quite new. Here I trace the layered history of “hindu,” part of an array of shifting identities in early and medieval India. In so doing, I draw upon an archive of primary sources—in Old Persian, New Persian, Sanskrit, Prakrit, Hindi, Marathi, Bengali, and more—that offers the kind of multilingual story needed to understand a term that has long cut across languages in South Asia. Also, I do not treat premodernity as a prelude but rather recognize it as the heart of this tale. So much of South Asian history—including over two thousand years of using the term “hindu”—has been misconstrued by those who focus only on British colonialism and later. We need a deeper consideration of South Asian pasts if we are to think more fruitfully about the terms and concepts that order our knowledge. Here, I offer one such contribution that marshals historical material on the multiform and fluid word “hindu” that can help us think more critically and precisely about this discursive category.
Forced branding, tattooing, and bodily inscriptions were linked to a complex intersection of meanings and uses in nineteenth-century Iran. Drawing on insights from studies of bodily inscriptions in other world historical contexts, this paper discusses branding as a marker of ownership, both of human slaves and of animals; Islamic attitudes toward bodily inscription and its symbolic significance in the afterlife; and associations between branding and human or divine love in Persian poetry. From this semiotic foundation, it turns to judicial uses of branding in nineteenth-century Iran: as torture for the extraction of incriminating admissions, and as punishment intended to shame (symbolically casting the criminal from society, stigmatizing their crime) and identify (tracking convicted criminals). Throughout the paper, branding’s legal place is understood in relation to silence and speaking, writing and reading, pain, humiliation, and the inversion of branding’s meaning by its victims, in Iran and a number of other societies.
Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were 'the envy of some, the fear of others, and the wonder of all their neighbours'. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on three continents. This substantially revised second edition of the leading textbook on the Dutch Republic includes a new chapter exploring slavery and its legacy, as well as a new chapter on language and literature.
Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes, they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were ‘the envy of some, the fear of others, and the wonder of all their neighbours’. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on the three continents. This substantially revised second edition of the leading textbook on the Dutch Republic includes a new chapter exploring slavery and its legacy, as well as a new chapter on language and literature.
This paper reexamines African socialism, the Ghanaian political economy under Kwame Nkrumah (1957–1966), Nkrumah’s intellectual genealogical heritage, and African intellectual history as a genre that transcends the bounds of the Atlantic world. First, I sketch the lives of Black Marxists—Nkrumah, C.L.R. James, George Padmore, and Bankole Awoonor-Renner—from Africa and the Americas, to the Soviet Union, to England and Ghana, to rethink Black bodies not merely as theorists of racial and decolonial questions but also as sites, carriers, and manipulators of political-economic theories. In constructing connected and overlapping histories, I demonstrate how controversial and contested Soviet ideas became key sites of interrogation among global Black Marxists. By reframing travel as an intellectual process, I reconceptualize the movements of Black Marxists to the USSR, the United States, England, and Ghana as critical intellectual and historical processes in their understandings of Lenin’s state capitalist ideas. Second, I revisit the Ghanaian political economy under Nkrumah to argue that combining socialist and capitalist development paths was not a contradictory Marxian policy but was embedded within Black Marxist understandings of Lenin’s state capitalist ideas. In so doing, I argue that we must situate African political ideologies not solely within a romanticized Afrocentric origin but as ideas that emerge out of contemporaneous global political and ideological struggles. I draw on global Black Marxists’ correspondence; newspaper and magazine articles; British and American espionage files; and Ghanaian, American, and British state and inter-state departmental documents in imperial, colonial, and postcolonial British, Ghanaian, American, and Russian archives.
Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes, they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were ‘the envy of some, the fear of others, and the wonder of all their neighbours’. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on the three continents. This substantially revised second edition of the leading textbook on the Dutch Republic includes a new chapter exploring slavery and its legacy, as well as a new chapter on language and literature.
Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes, they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were ‘the envy of some, the fear of others, and the wonder of all their neighbours’. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on the three continents. This substantially revised second edition of the leading textbook on the Dutch Republic includes a new chapter exploring slavery and its legacy, as well as a new chapter on language and literature.
Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes, they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were ‘the envy of some, the fear of others, and the wonder of all their neighbours’. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on the three continents. This substantially revised second edition of the leading textbook on the Dutch Republic includes a new chapter exploring slavery and its legacy, as well as a new chapter on language and literature.