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This series provides a high-quality selection of early printings of literary works, textual editions, anthologies and literary criticism which are of lasting scholarly interest. Ranging from Old English to Shakespeare to early twentieth-century work from around the world, these books offer a valuable resource for scholars in reception history, textual editing and literary studies.

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42 results in Cambridge Library Collection - Works of John Ruskin

Page 2 of 3

The Works of John Ruskin
  • Volume 36, Letters of Ruskin I
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1909
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-sixth volume contains Volume 1 of Ruskin's letters, covering the years 1827–1869.

The Works of John Ruskin
  • Volume 5, Modern Painters III
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This fifth volume contains Volume 3 of Modern Painters.

The Works of John Ruskin
  • Volume 8, The Seven Lamps of Architecture
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This eighth volume contains The Seven Lamps of Architecture.

The Works of John Ruskin
  • Volume 17, Unto This Last; Munera Pulveris; Time and Tide
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1905
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin.This seventeenth volume contains Ruskin's works on political economy: Unto This Last, Munera Pulveris and Time and Tide.

The Works of John Ruskin
  • Volume 16, ‘A Joy For Ever’ and The Two Paths
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1905
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This sixteenth volume contains essays and lectures on aesthetics.

The Works of John Ruskin
  • Volume 6, Modern Painters IV
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This sixth volume contains Volume 4 of Modern Painters.

The Works of John Ruskin
  • Volume 31, Bibliotheca Pastorum
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1907
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-first volume contains the Bibliotheca pastorum.

The Works of John Ruskin
  • Volume 3, Modern Painters I
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This third volume contains Volume 1 of Modern Painters.

The Works of John Ruskin
  • Volume 38, Bibliography
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1912
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-eighth volume contains a bibliography of Ruskin's own writings and of the writings of otherS about him.

The Works of John Ruskin
  • Volume 29, Fors Clavigera VII–VIII
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1907
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-ninth volume contains the seventh and eighth volumes of Fors Clavigera.

The Works of John Ruskin
  • Volume 21, The Ruskin Art Collection at Oxford
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1906
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-first volume contains the catalogues of the Ruskin Art Collection at Oxford.

The Works of John Ruskin
  • Volume 22, Lectures on Landscape; Michaelangelo; Tintoret
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1906
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-second volume contains essays on art and science, including 'Lectures on Landscape' and 'The Eagle's Nest'.

The Works of John Ruskin
  • Volume 30, The Guild and Museum of St George
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1907
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirtieth volume contains writings on the Guild of St George and the Ruskin Museum.

The Works of John Ruskin
  • Volume 7, Modern Painters V
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This seventh volume contains Volume 5 of Modern Painters.

The Works of John Ruskin
  • Volume 11, The Stones of Venice III
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This eleventh volume contains Volume 3 of The Stones of Venice.

The Works of John Ruskin
  • Volume 9, The Stones of Venice I
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This ninth volume contains Volume 1 of The Stones of Venice.

The Works of John Ruskin
  • Volume 20, Lectures on Art
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1905
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twentieth volume contains 'Lectures on Art' and 'Aratra Pentelici'.

The Works of John Ruskin
  • Volume 1, Early Prose Writings
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. Volume 1 contains early essays, and two pieces of fiction: Leoni and The King of the Golden River.

The Works of John Ruskin
  • Volume 23, Val d’Arno; The Schools of Florence
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    07 September 2011
    Print publication:
    18 February 2010
    First published in:
    1906
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-third volume contains Ruskin's writings on the art and architecture of Florence.

The Works of John Ruskin
  • Volume 2, Poems
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 August 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This second volume contains Ruskin's poems.

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