This article examines the novel Final Respects by Abdi-Jamil Nurpeisov from a postcolonial ecocritical perspective. Nurpeisov was one of the first Kazakh writers to discuss the decolonization of the environment and the “process of self-apprehension” by writing about the tragedy of the Aral Sea, power relations between the center and periphery, and the interconnectivity of humans and the environment in the Soviet Union. Through the prism of a small fishing village, he shows the tragedy of a nation that has an impact on the entire world. The novel is thus a critique of anthropocentric policies imposed by Moscow on Kazakhstan and other Soviet republics. Throughout the text, Nurpeisov reiterates the connection between the local and the global on one hand, and human culture and the environment on the other.