The introduction posits the centrality of local environments, and specifically precise London neighborhoods, on a confluence of English writers in the 1590s, including Thomas Nashe, John Donne, John Manningham, and John Marston. In the process, it asserts the importance of these urban localities to the genesis of the metaphysical style of writing, a style not normally associated with the city nor with nonpoetic writing. The methodological emphasis on local environment foregrounds the importance of everyday experience to the creation of literature, picking up on recent work in early modern literary studies in historical phenomenology and affect theory. The introduction also details the profound infleunce of skepticism on this group of writers and intellectuals working in and around the Inns of Court in the 1590s. It argues for the centrality of a specific community of disaffected and privileged young men coming to London in the 1590s to the advent of a particular way of seeing the city and a particular style of writing that we now identify as the metaphysical.

In his Athenae Oxonienses (1691–92), a history of writers and bishops educated at the University of Oxford between 1500 and 1690, the antiquary Anthony Wood includes a brief description of the life of the scholar, educational reformer, and sometime Dean of St Paul’s, John Colet. A humanist luminary, Colet was ‘exquisitely Learned’, being (as Wood comments approvingly) ‘no stranger to Plato and Plotinus’, but somewhat indifferent to their scholastic commentators: ‘Schoolmen, he seemed not to delight in.’ Colet was also profoundly pious, taken by later reformers as an early proponent of their cause: the churchman and historian Thomas Fuller calls him ‘a Luther before Luther’. After his death from a sweating sickness in 1519, Colet’s achievements were acknowledged, as Wood reports, by the construction of ‘a comly Monument set over his Grave’ in a wall of St Paul’s, which stood ‘whole and entire till 1666 [and] was then consumed in the dreadful Conflagration that happened in the City of London’. About fourteen years later, the wall that contained Colet’s body was taken down, and his coffin was revealed. Wood describes how, ‘out of curiosity’, the politician Edmund Wyld and the mathematical instrument maker Ralph Greatorex paid the ruins a visit. Encountering Colet’s newly uncovered burial place, Wyld and Greatorex ‘did thrust a probe or little stick into a chink of the Coffin, which bringing out some moisture with it, found it of an ironish tast, and fancied that the body felt soft and pappy like Brawn’.