This seeks to summarise the conclusions of the book, asserting and defending Laudianism’s status as a coherent, distinctive and aggressive ideological position, and as a coalition made up of persons of varying views and degrees of commitment, and as such a set of responses to a dynamic and changing set of political circumstances. The methodological approach of the book is defended and the compatibility of the lumping, which underpinned the first four part with the splitting that characterised the fifth, is asserted. In its second half the Conclusion looks forward to the larger significance of Laudianism for the history of ‘Anglicanism’ and ends with an account of the Tractarian use of Laudianism and the ways in which the legacy of the Tractarians has, in turn, shaped the subsequent historiography of Laudianism. The attempt here, as in the book as a whole, is to free the topic from the ongoing quarrels about the historical identity and theological and pietistic essence of the church of England, so that it can be understood in terms of the period during which it first came into existence, and which it tried (so ardently and unsuccessfully) to transform.

Lionel Johnson is more famous now for his life (and death) than his work – for his alcoholism and insomnia, conversion to Catholicism, erroneous claims to Irish heritage, and death by severe brain haemorrhage at the age of thirty-five. As a founding member of the Rhymers’ Club and contributor to the notorious Yellow Book, he is frequently referred to as a major figure of British Decadence, but his work is rarely considered in any detail. This chapter looks at Johnson’s criticism, poetry, and letters as expressive of a religious humanism heavily influenced by Pater’s sensuously continent aestheticism. No one was more excited by the world than Johnson, by the crowds of London as much as by the wonders of nature, and the continence he described was hardly a cloistered retreat. But sex was at the heart of what he saw as wrong in the modern world: its lack of respect for tradition; its bad manners; the haste that led people to look to their own uncultivated selves for a guide to right and wrong. Like Pater, Johnson portrayed continence as a sociable practice, leading to better relationships with people, objects, and the past.