Despite decades of research into the Terracotta Army of the First Emperor of China, many questions remain about how, where and by whom the figures were made. This new study compares the results of microscopic analysis of the life-sized clay statues to other ceramic artefacts recovered from the mausoleum. By focusing on their original raw materials and clay paste recipes, it proves that the terracotta warriors were made near the site. Compositional, technological and spatial links between different artefacts suggest that clay was processed centrally before being distributed to different local workshops in a highly organised system of labour and craft specialisation that laid the foundation for imperial China.

The Terracotta Army that protected the tomb of the Chinese emperor Qin Shihuang offers an evocative image of the power and organisation of the Qin armies who unified China through conquest in the third century BC. It also provides evidence for the craft production and administrative control that underpinned the Qin state. Bronze trigger mechanisms are all that remain of crossbows that once equipped certain kinds of warrior in the Terracotta Army. A metrical and spatial analysis of these triggers reveals that they were produced in batches and that these separate batches were thereafter possibly stored in an arsenal, but eventually were transported to the mausoleum to equip groups of terracotta crossbowmen in individual sectors of Pit 1. The trigger evidence for large-scale and highly organised production parallels that also documented for the manufacture of the bronze-tipped arrows and proposed for the terracotta figures themselves.