Literary Critic and Sinologist, Takeuchi Yoshimi, provides post-colonial and decolonial studies a logic of resistance that seeks to destabilize the colonialist projects of Western modernity without repeating its structural logic. In this regard, Takeuchi's logic of resistance functions as a dialectical lens into the “emancipatory traps” of Western modernity that frame the victim–victimizer paradox by turning negativity into a method of generating heuristic possibilities. But in this pursuit to look for alternative sites for mining theoretical possibilities, Takeuchi returns to the origins of Chinese modernity for imagining a proper logic of Asian resistance, that which could be deployed as a resource for negating the imperial gestures of modernist thought while affirming the positive kernel of the Enlightenment with the hope of bringing forth a global world that is continuously transformed by the cultural particulars themselves. The goal of this article is to further elucidate Takeuchi's logic of Asian resistance and to discuss how this logic can be read as having the potential to correct Nishida Kitarō's and the Kyoto School's failed attempt to overcome modernity.