The study of stonemasons’ marks in ancient constructions, a subject that has been systematically investigated since the 1980s to the present, tends to focus on a few standard uses and consider other seemingly random patterns as issues of preservation, leaving the archaeological potential of such marks largely untapped. This article presents a methodological approach to explain these apparently arbitrary patterns and a diachronic analysis of local labour organization at Sagalassos in south-western Turkey in four case studies: the Upper Agora, Lower Agora, Hadrianic Nymphaeum, and Makellon. The spatial analysis of the stonemasons’ marks and examination of the stone carving techniques and epigraphic data suggest that the different marks were either produced by the same individuals and/or formed part of the same construction process.

This article presents the different types of pendant crosses found in the burials of a Middle Byzantine graveyard at the Pisidian settlement of Sagalassos in south-western Turkey. The aim is to study both the chronology and function of these pectoral crosses. A variety of sources are used, ranging from stratigraphy and radiocarbon dates to contextual information and skeletal data. The crosses could be broadly dated to between the eleventh and thirteenth century AD, thus providing an indication of the lifespan of the cemetery. Moreover, the typological evolution, which was corroborated by parallels from other sites in the Byzantine Empire, allowed us to establish a horizontal stratigraphy for the graveyard. The pectoral crosses discussed here shed light on the funerary practices in this part of the Byzantine world. These generally proved to belong to very young children. They constitute a category of material culture that not only provides insights into the lives of the Byzantine population, especially in early childhood, but are also the material manifestation of the intersection between popular religion, magic, and funerary rites.