This brief essay addresses this volume’s multiple audiences – including undergraduate and graduate students; instructors who want to incorporate a new unit on Reconstruction into a colonial and US literature survey course or to teach a class on the subject; and scholars of American literature who might or might not work in the second half of the nineteenth century – who would benefit from a basic map to the significant changes now in progress in Reconstruction studies and strategies for teaching them. Within the past decade in particular, renewed and transformative interest in Reconstruction has moved to the forefront of the fields of US history and nineteenth-century US literary history. While the Reconstruction period has long been a staple in the field of US history (however troubled that narrative might have been, a topic to which I will turn shortly), that has notably not been the case in the field of literary studies. As Gordon Hutner points out in his introduction to the 2018 special issue of the flagship field journal American Literary History entitled “Reenvisioning Reconstruction,” Reconstruction has been “among the subjects least touched” by scholars otherwise energetically focused on revising field assumptions and canons. Scholarship to remedy this stark neglect and debates about how to do so have recently risen to the top of the disciplinary agenda. As Hutner puts it, “A nucleus of scholars has been revisiting the period and committing a great deal of industry and intelligence toward uncovering its critical exigencies in ways that previous generations of Americanists had missed.”1

Eric Gardner’s “Reconstructing the Rhetoric of AME Ministry” begins to consider how a group long crucial to Black print – ministers and church activists – adapted religious rhetoric after the Civil War and specifically reached into militaristic language in ways that allowed Black writers and readers to think about national and local citizenship, church engagement, the mission and meaning of the Civil War, the continuing violence surrounding many Black lives, and Black print within the larger arena of Black faith. Initially anchored in two key books published early in Reconstruction by major AME figures, Bishop Daniel Payne’s The Semi-Centenary and the Retrospection of the African Methodist Episcopal Church and Benjamin Tucker Tanner’s An Apology for African Methodism, the essay broadens to consider how such rhetorics reached into texts such as Harper’s serialized Recorder novel Sowing and Reaping and Henry McNeal Turner’s eulogy to Charles Sumner.