In the study of Chinese thought, the products of the Han dynasty have historically been identified as those most antithetical to Western rationalism. In many of these narratives, the commentarial tradition and systems of complementary yin and yang receive the most attention. The present work draws on Mawangdui texts (Guan, Cheng, and Cixiong jie), the writings of Dong Zhongshu, the Huainanzi, and ultimately Heshanggong's Commentary on the Daodejing to complexify this view. Within these examples one discovers divergent philosophies of opposites and yin and yang that confound the notion of a monolithic and solely holistic Han cosmology. Ultimately, this paper seeks to promote Heshanggong's Commentary as an exemplar of Eastern Han Daoist yin-yang theory that subdivides these two principles into mode and substance. Such an interpretive move explains the commentary's valorization of yin modes (non-action, weakness) but not yin substances (cold, corpses), and yang substances (spirit, essential qi, living beings) but not yang modes (action, aggression, violence). Furthermore, this approach unveils new insights about the relationship of the Dao and Heaven, the history of Daoism, and the varieties of correlative cosmologies in the Han.

The Laozi is a well-loved and oft-translated ancient text, whose popularity with interpreters and translators seems to have hardly ebbed in over two thousand years. This is attested in part by the number of bamboo and silk manuscript versions of the text unearthed in recent years from the Warring States (475–221 b.c.e.) and Western Han (221–206 b.c.e.), such that few transmitted Chinese texts have so many corresponding manuscript versions. The Laozi's popularity and relative abundance have also made the text instrumental in shaping theoretical approaches to book formation in early Chinese manuscript culture. In particular, the Laozi has been central to the study of how books were assembled out of pre-existent, stable, coherent molecules of text, or zhang 章 (chapters). Emerging from a case study of Laozi chapter 13, in which interpretive problems of the written commentarial tradition are shown to be continuous with those in manuscript culture, this article re-examines the theory of molecular coherence in the Laozi's formation, showing ultimately that the textual and rhetorical patterns by which zhang cohere internally are created by the same forces that deposit zhang in proximity to one another. Moving from the molecular to organismic level, the article also examines the use of conjoining phrases in Peking University's Laozi manuscript to demonstrate how editors, compilers, and interpreters may sacrifice coherence at one level of organization to achieve perfection at another.