The majority of nineteenth-century literary critics identified The Devils as an antinihilist novel. The basic theme of Dostoevsky's work, the journal in which it was published, and the author's own journalistic commentary on his novel all seemed to link Dostoevsky to such conservative writers as Pisemskii, Leskov, and Krestovskii. Modern critics, both Soviet and Western, are aware that The Devils has qualities which make it vastly superior to the antinihilist works of the writers mentioned above. But in stressing Dostoevsky's artistic superiority, there is a danger of underestimating the powerful influence of badly written conservative novels upon his desire to write The Devils.