The cover of the may 29, 1943, Saturday Evening Post depicts our most famous image of Rosie the Riveter, a name that came to symbolize women's crossover into male-dominated industrial work during World War II (Figure 1). Norman Rockwell positioned his Rosie resting during her lunch break, calmly eating a bologna sandwich while stomping on a copy of Mein Kampf with author's name, Adolf Hitler, and Nazi swastika visible under the title. It was an image meant to reassure the American public that women would get the job done on America's home front and help defeat the Axis powers. It is also an image worth examining today for it captures some of the contradictions that continue to vex us concerning the war's multifaceted representations of women and work, portrayals that contained and excluded even as they widened public perceptions of what women could do. For one thing, Rockwell's Rosie is notably “unfeminine” in that her muscular arms are unadorned with jewelry, she wears a double-banded leather watch, she has on comfortable loafers to match her denim overalls, and her ruddy complexion seems the product of exertion, not makeup. Furthermore, she is indifferent to our gaze; rather her proud stare announces absorption in a more compelling subject, symbolized by the American flag that forms the backdrop for her portrait.