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Conclusion: Visualising the Future of Theatre Research
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2 - Komediehuset, Bergen, and Henrik Ibsen’s Stagecraft in His First Theatre
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- 25 August 2022, pp 38-65
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5 - The Design of Attraction at the Stardust Showroom in Las Vegas
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Introduction
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1 - The Rose Theatre, London, and Stage Movement in Marlowe’s Doctor Faustus
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Acknowledgements
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3 - A Colonial Audience Watching Othello at the Queen’s Theatre, Adelaide
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4 - Cantonese Opera and the Layering of Space on the Australian Goldfields
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Appendix: - The Eighteen Scripts of the Underworld
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Figures
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Copyright page
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Index
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References
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Contents
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Visualising Lost Theatres
- Virtual Praxis and the Recovery of Performance Spaces
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‘As Modern as Tomorrow’: Australian Entrepreneurs and Japanese Entertainment, 1957–1968
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- Theatre Research International / Volume 43 / Issue 2 / July 2018
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- 12 November 2018, pp. 147-164
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- July 2018
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Wild and Dangerous Performances: Animals, Emotions, Circus. By Peta Tait. Basingstoke: Palgrave Macmillan, 2012. Pp. x + 229 + 21 illus. £53 Hb.
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- Theatre Research International / Volume 38 / Issue 3 / October 2013
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- 29 August 2013, pp. 270-271
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- October 2013
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Power Plays: Australian Theatre and the Public Agenda. By Hilary Glow. Sydney: Currency Press, 2007. Pp. xii + 207 + 13 illus. AUS$32.95 Pb.
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- Theatre Research International / Volume 33 / Issue 3 / October 2008
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- 01 October 2008, pp. 322-323
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- October 2008
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