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Figures
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- Whose Country Music?
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Bibliography
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- Whose Country Music?
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Contents
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Part I - Industry
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- Whose Country Music?
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4 - A Double-Edged Sword
- from Part I - Industry
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Whose Country Music?
- Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
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“She went to Nashville to sing country music”
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Copyright page
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Part III - Authenticity
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- Whose Country Music?
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Tables
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Part II - Codes of Conduct
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Index
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Contributors
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Part IV - Boundary Work
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- Whose Country Music?
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The Sound of Navajo Country: Music, Language, and Diné Belonging. By Kristina M. Jacobsen. Chapel Hill: University of North Carolina Press, 2017.
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- Journal of the Society for American Music / Volume 13 / Issue 4 / November 2019
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- 07 January 2020, pp. 531-535
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- November 2019
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10 - Region and identity in Dolly Parton’s songwriting
- from Part II - Individuals
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- The Cambridge Companion to the Singer-Songwriter
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- 05 July 2016
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- 25 February 2016, pp 120-130
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The Dixie Chicks’ “Lubbock or Leave It”: Negotiating Identity and Place in Country Song
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- Journal of the Society for American Music / Volume 8 / Issue 1 / February 2014
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- 12 March 2014, pp. 49-75
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- February 2014
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Resisting exile and asserting musical voice: the Dixie Chicks are ‘Not Ready to Make Nice’1
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- Popular Music / Volume 29 / Issue 3 / October 2010
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- 12 October 2010, pp. 325-350
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- October 2010
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