In Philip of Macedon (1978) (pp. 150f.), as part of a general survey of the development of the art of war in Classical Greece, I briefly adumbrated a view of the nature of hoplite fighting. It was not the conventional one, of which the following statement of Adcock in The Greek and Macedonian Art of War (1957) p. 4 is fairly representative:
The effectiveness of the phalanx depends in part on skill in fighting by those in the front rank, and in part on thephysical and moral support of the lines behind them. The two opposing phalanxes meet each otherwith clash of shield on shield and blow of spear against spear. Their momentum is increased by the impetus of the charge that precedes their meeting. If the first clash is not decisive by the superior weight and thrust of the one phalanx over the other, the fighting goes on. The laterranks supply fighters as those before them fall. At last one side gains the upper hand. Then the other phalanx breaks and takes to flight and the battle is won and lost.