It is possible to distinguish broadly four types of Swahili poetry in East Africa today.
The first type, mashairi (lit.) ‘poems’, is characterized in form by symmetrical verses which have an equal number of lines (usually not exceeding six) in each verse, and an equal number of syllables (usually not more than sixteen) in each line. This type is extremely popular with the people and with the majority of the poets: mashairi appear regularly in Swahili newspapers—Baraza, Kiongozi, Uhuru, etc.—and weekly radio programmes in Tanzania and Kenya are devoted to them. It is thus not surprising that almost every Swahili scholar is familiar with this form, and the bulk of the publications on Swahili poetry both in English and in Kiswahili are on it. Since much has been written on its prosody, I shall not discuss it further here.