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Greenhouse hydroponic and field experiments were conducted to determine the effect of nitrogen (N) fertilizer on eastern black nightshade growth and N content. After 4 wk in hydroponics, the greatest shoot dry mass occurred in the 5 or 10 mM nitrate treatments. An exponential model was strongly correlated with eastern black nightshade root and shoot growth in the 5 or 10 mM nitrate treatments. Eastern black nightshade reached the exponential stage of growth approximately 21 d after transfer to the nitrate treatments. Root dry mass was only 10% of shoot biomass. There was a substantial increase in height and growth rate when plants were fertilized with 168 kg N ha−1. Eastern black nightshade was at its maximum growth 12 wk after planting, and fresh mass increased with N up to 336 kg N ha−1, the greatest N concentration in the study. The greatest N content was in the upper leaves and the least in the lower stem. These results indicate that eastern black nightshade growth is favored by high rates of N.
Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls fora re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume.
Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P.Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale.
Christian Rogowski is Professor of German at Amherst College.