9 results
Voicing the Labyrinth: the Collaborations of Edoardo Sanguineti and Luciano Berio
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- Journal:
- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 63-78
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Appendix: The Iconic Process in Musical Communication (1972)
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 201-211
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Two Fragments of ‘The Music of Luciano Berio’
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 39-62
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Masculine Semiotics: the Music of Goffredo Petrassi and the Figurative Arts in Italy during the 1930s
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- Twentieth-Century Music / Volume 9 / Issue 1-2 / March 2012
- Published online by Cambridge University Press:
- 27 March 2013, pp. 11-37
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Contributors
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- The Placenta and Human Developmental Programming
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- 04 February 2011
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- 16 December 2010, pp vii-x
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13 - New beginnings: the international avant-garde, 1945–62
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- Book:
- The Cambridge History of Twentieth-Century Music
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- 28 March 2008
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- 05 August 2004, pp 336-363
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Here comes nobody: a dramaturgical exploration of Luciano Berio's Outis
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- Cambridge Opera Journal / Volume 12 / Issue 2 / July 2000
- Published online by Cambridge University Press:
- 15 June 2001, pp. 163-178
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- July 2000
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Nella festa tutto? Structure and dramaturgy in Luciano Berio's La vera storia
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- Journal:
- Cambridge Opera Journal / Volume 9 / Issue 3 / November 1997
- Published online by Cambridge University Press:
- 27 August 2008, pp. 281-294
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- November 1997
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