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Frontispiece
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- Dramatic Expression in Rameau's Tragédie en Musique
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- 21 February 2013, pp ii-ii
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1 - Introduction
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- Dramatic Expression in Rameau's Tragédie en Musique
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- 21 February 2013, pp 1-24
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Translations and terminology
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- Dramatic Expression in Rameau's Tragédie en Musique
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- 21 February 2013, pp x-xii
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5 - Scenes of forbidden love confessed
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- 21 February 2013, pp 181-233
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Contents
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- 21 February 2013, pp v-vi
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Acknowledgements
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- 21 February 2013, pp vii-ix
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Copyright page
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- 21 February 2013, pp iv-iv
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6 - Scenes of intense conflict
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- 21 February 2013, pp 234-280
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Conclusion
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- 21 February 2013, pp 314-318
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Index
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- 21 February 2013, pp 325-327
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Bibliography
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- 21 February 2013, pp 319-324
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2 - Rameau's concept of musical expression: In theory and in practice
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- 21 February 2013, pp 25-45
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4 - Comparative overview of Rameau's tragedies, first versions: Continuity and change
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3 - Getting oriented: Rameau's first tragedy,Hippolyte et Aricie(premiere, 1733)
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- 21 February 2013, pp 46-107
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7 - Scenes of conflict resolution
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- 21 February 2013, pp 281-313
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Dramatic Expression in Rameau'sTragédie en Musique - Title page
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Dramatic Expression in Rameau's Tragédie en Musique
- Between Tradition and Enlightenment
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Dramatic Expression in Rameau'sTragédie en Musique - Half title page
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What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs
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- Cambridge Opera Journal / Volume 11 / Issue 2 / July 1999
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- 27 August 2008, pp. 103-134
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- July 1999
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