In the definitive publication of the Sutton Hoo ship-burial, R. L. S. Bruce-Mitford comments that the figural scenes on the purse-lid may be thought to have had a special significance known to those who commissioned them and to those who saw the purse, because they appear as part of the design on an important item of the regalia. However, the meaning of the pair of plaques which show a bird of prey grasping a smaller bird (pl. VIIa) has not yet been satisfactorily analysed. Bruce-Mitford states that no close parallels to the scene can be cited. Haseloff, in a study of the purse plaques, considers that they show the general influence of Mediterranean representational art upon the Germanic tendency towards abstraction, with the bird pairs being the adoption and stylization of a foreign theme. Werner, in a discussion of Lombardic shield mounts, suggests that the Sutton Hoo birds represent Christian ornament and therefore associates the purse with the other supposedly Christian elements in the burial. But no really convincing background for the birds has been found. This is in contrast to the other figural plaques, the man between beasts and the interlacing quadrupeds, which both belong to groups of designs of more familiar type. It is the purpose of this article to provide some sources for the bird plaques and to attempt to interpret the special significance behind the use of this design on an item of the regalia.