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Chapter 8 - Black, White, and Read All Over
- from Part II - Media
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- British Literature in Transition, 1900–1920: A New Age?
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- 07 December 2021
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- 02 December 2021, pp 158-176
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4 - The Line that Binds: Climbing Narratives, Ropework and Epistolary Practice
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- Modernism and Affect
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- Edinburgh University Press
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- 15 September 2017
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- 17 May 2015, pp 75-93
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Appendix: Tactile Terminologies
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 183-187
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Acknowledgements
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp vii-viii
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3 - Virginia Woolf, Hapticity and the Human Hand
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 115-141
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1 - Haptic Modernism
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 1-72
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Haptic Modernism
- Touch and the Tactile in Modernist Writing
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013
6 - Horrible Haptics
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 170-182
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4 - Dorothy Richardson and the Haptic Reader
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 142-154
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Index
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 202-208
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2 - James Joyce's Epidermic Adventures
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 73-114
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Frontmatter
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp i-iv
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Bibliography
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 188-201
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Contents
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp v-vi
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5 - D. H. Lawrence: Blind Touch in a Visual Culture
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- Haptic Modernism
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- Edinburgh University Press
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- 05 September 2013
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- 20 May 2013, pp 155-169
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