Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Childhood, Education and the Stage in Early Modern England. Edited by Richard Preiss and Deanne Williams. Cambridge: Cambridge University Press, 2017; pp. xii + 296, 13 illustrations. $99 cloth, $80 e-book. - Queering Childhood in Early Modern English Drama and Culture. Edited by Jennifer Higginbotham and Mark Albert Johnston. New York: Palgrave Macmillan, 2018; pp. xiii + 281, 3 illustrations. $109 cloth, $84.99 e-book.
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- 21 December 2018, pp. 147-150
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
Seventeenth-Century Opera and the Sound of the Commedia dell'Arte. By Emily Wilbourne. Chicago and London: University of Chicago Press, 2016; pp. x + 229, 4 illustrations. $55 cloth, $55 e-book.
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- 10 April 2019, pp. 295-296
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico. By Leo Cabranes-Grant. Performance Works. Evanston, IL: Northwestern University Press, 2016; pp. ix + 193, 4 illustrations. $99.95 cloth, $34.95 paper, $34.95 e-book.
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- 21 December 2018, pp. 150-152
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse. By Will Tosh. London and New York: Bloomsbury Arden Shakespeare, 2018; pp. xxx + 264, 10 illustrations. $102 cloth, $32.95 paper, $29.65 e-book.
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- Published online by Cambridge University Press:
- 06 August 2019, pp. 473-475
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Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick. Cambridge Studies in Opera. Cambridge: Cambridge University Press, 2016; pp. xx + 484, 40 illustrations. $142 cloth, $33.99 paper, $114 e-book.
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- 10 April 2019, pp. 297-298
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Modernism and Opera. Edited by Richard Begam and Matthew Wilson Smith. Hopkins Studies in Modernism. Baltimore: Johns Hopkins University Press, 2016; pp. xi + 378. $45 cloth, $45 e-book.
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- 06 August 2019, pp. 475-477
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Stanislavsky in the World: The System and Its Transformations across Continents. Edited by Jonathan Pitches and Stefan Aquilina. London: Bloomsbury Methuen Drama, 2017; pp. xii + 46. $102 cloth, $33.95 paper, $30.55 e-book.
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- 21 December 2018, pp. 152-154
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
The Reception of Aeschylus’ Plays through Shifting Models and Frontiers. Edited by Stratos E. Constantinidis. Metaforms. Boston and Leiden: Brill, 2016; pp. xv + 409. $168 cloth, $168 e-book.
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- 10 April 2019, pp. 298-300
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The Unfinished Art of Theater: Avant-Garde Intellectuals in Mexico and Brazil. By Sarah J. Townsend. Performance Works. Evanston, IL: Northwestern University Press, 2018; pp. ix + 301. $99.95 cloth, $34.95 paper, $34.95 e-book.
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- Published online by Cambridge University Press:
- 06 August 2019, pp. 477-479
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Susan Glaspell's Poetics and Politics of Rebellion. By Emeline Jouve. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2017; pp. xiii + 258. $65 paper, $65 e-book.
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- 21 December 2018, pp. 154-156
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Katherine Dunham: Dance and the African Diaspora. By Joanna Dee Das. New York: Oxford University Press, 2017; pp. xi + 276, 24 illustrations. $34.95 cloth, $23.99 e-book.
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- 21 December 2018, pp. 156-158
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
One Hundred Years of Futurism: Aesthetics, Politics and Performance. Edited by John London. Bristol and Chicago: Intellect, 2018; pp. xiii + 288, 39 illustrations. $98.50 cloth, $40 paper, $88.80 e-book.
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- 10 April 2019, pp. 300-302
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The American Negro Theatre and the Long Civil Rights Era. By Jonathan Shandell. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2018; pp. ix + 213, 16 illustrations. $70.00 paper, $70.00 e-book.
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- Published online by Cambridge University Press:
- 06 August 2019, pp. 479-481
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Directing Scenes and Senses: The Thinking of “Regie.” By Peter M. Boenisch. Theatre: Theory–Practice–Performance. Manchester: Manchester University Press, 2017; pp. xi + 210, 25 illustrations. $120 cloth, $29.95 paper, $29.95 e-book.
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- 10 April 2019, pp. 303-305
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Queer Performance and Contemporary Ireland: Dissent and Disorientation. By Fintan Walsh. Contemporary Performance InterActions. Houndmills, UK and New York: Palgrave Macmillan, 2016; pp. ix + 189. $95 cloth, $54.99 paper, $19.99 e-book.
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- Published online by Cambridge University Press:
- 06 August 2019, pp. 481-483
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas. By Lisa Jackson-Schebetta. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2017; pp. ix + 252, 15 illustrations. $65 paper, $65 e-book.
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- 21 December 2018, pp. 158-160
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
The Scene of Foreplay: Theater, Labor, and Leisure in 1960s New York. By Giulia Palladini. Performance Works. Evanston, IL: Northwestern University Press, 2017; pp. ix + 226, 14 illustrations. $99.95 cloth, $34.95 paper, $34.95 e-book.
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- Published online by Cambridge University Press:
- 10 April 2019, pp. 305-307
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Writing and the Modern Stage: Theater beyond Drama. By Julia Jarcho. Cambridge: Cambridge University Press, 2017; pp. 282. $99.99 cloth, $80 e-book.
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- 21 December 2018, pp. 160-162
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef and Kiera Bono
Theatre & Dance. By Kate Elswit. Theatre And. London: Palgrave Macmillan, 2018; pp. viii + 93. $9.99 paper, $8.99 e-book.
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- 06 August 2019, pp. 483-485
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Staging Creolization: Women's Theater and Performance from the French Caribbean. By Emily Sahakian. New World Studies. Charlottesville: University of Virginia Press, 2017; pp. xiii + 274, 18 illustrations. $75 cloth, $35 paper, $75 e-book.
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- 10 April 2019, pp. 307-309
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