Theatre Survey: Volume 48 -

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Theatre Survey
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Volume 48 - May 2007

Contents

Page 2 of 3

Book Reviews: Edited by Edward Ziter

Vaudeville Wars: How the Keith–Albee and Orpheum Circuits Controlled the Big-Time and Its Performers. Palgrave Studies in Theatre and Performance. By Arthur Frank Wertheim. New York: Palgrave Macmillan, 2006; pp. xvii+332, 38 illus. $69.95 cloth.
Steve Nelson
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22 October 2007, pp. 359-361
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Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: University of Michigan Press, 2005; pp. 339, 13 illus. $70 cloth, $26.95 paper.
Catherine M. Cole
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25 April 2007, pp. 173-174
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Racism, Misogyny, and the “Othello” Myth: Inter-racial Couples from Shakespeare to Spike Lee. By Celia R. Daileader. Cambridge: Cambridge University Press, 2005; pp. x+256, 6 illus. $70 cloth, $25.99 paper.
Jacquelyn Y. McLendon
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25 April 2007, pp. 175-177
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The Provincetown Players and the Culture of Modernity. By Brenda Murphy. Cambridge: Cambridge University Press, 2006; pp. 282. $85.00 cloth.
Jonathan Shandell
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22 October 2007, pp. 361-363
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Messiah of the New Technique: John Howard Lawson, Communism, and the American Theatre, 1923–1937. By Jonathan L. Chambers. Carbondale: Southern Illinois University Press, 2006; pp. 263. $55 cloth.
Tyler August Smith
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22 October 2007, pp. 363-365
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Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan. Cambridge: Cambridge University Press, 2005; xiv+190, 10 illus. $75 cloth.
Felicity A. Nussbaum
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25 April 2007, pp. 177-179
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Staging Whiteness. By Mary F. Brewer. Middletown, CT: Wesleyan University Press, 2005 (Lebanon, NH: UPNE); xvi+236. $65 cloth, $24.95 paper.
Jonathan Shandell
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25 April 2007, pp. 179-181
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Staging Gertrude Stein: Absence, Culture, and the Landscape of American Alternative Theatre. By Leslie Atkins Durham. New York: Palgrave Macmillan, 2005; pp. viii + 182, 12 illus. $65.00 cloth.
Martin Harries
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22 October 2007, pp. 365-367
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Shakespeare's Violated Bodies: Stage and Screen Performance. By Pascale Aebischer. Cambridge: Cambridge University Press, 2004; pp. xiii+221, 17 illus. $75 cloth.
Francesca Royster
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25 April 2007, pp. 181-183
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The Cambridge Companion to Edward Albee. Edited by Stephen Bottoms. New York: Cambridge University Press, 2005; pp. xxi+263. 8 illus. $65 cloth, $25 paper.
Richard M. Buck
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22 October 2007, pp. 367-369
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Shakespeare Survey 56: Shakespeare and Comedy. Edited by Peter Holland. Cambridge: Cambridge University Press, 2003; pp. 370. $85 cloth.
Katherine Scheil
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25 April 2007, pp. 183-185
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Acting Jewish: Negotiating Ethnicity on the American Stage and Screen. By Henry Bial. Ann Arbor: University of Michigan Press, 2005; pp. 195. $60 cloth; $19.95 paper.
Kirsten Pullen
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22 October 2007, pp. 369-371
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Rainer Werner Fassbinder and the German Theatre. By David Barnett. Cambridge Studies in Modern Theatre. Cambridge: Cambridge University Press, 2006; pp. xii+300, 25 illus. $90 cloth.
Yana Ross
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22 October 2007, pp. 371-373
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Before Orientalism: London's Theatre of the East, 1576–1626. By Richmond Barbour. Cambridge Studies in Renaissance Literature and Culture. Cambridge University Press, 2003; pp. xii+238, 21 illus. $85 cloth. - Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton. Newark: University of Delaware Press (Cranbury, NJ: AUP), 2005; pp. 319, $55 cloth.
Michael Peter Bolus
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25 April 2007, pp. 185-190
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Unspeakable Acts: The Avant-Garde Theatre of Terayama Shu¯ji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawaii Press, 2005; pp. 340. $48 cloth.
Cobina Gillitt
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22 October 2007, pp. 373-374
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Staging Governance: Theatrical Imperialism in London, 1770–1800. By Daniel O'Quinn. Baltimore: Johns Hopkins University Press, 2005; pp. xi+402, 40 illus. $60 cloth.
Brian Singleton
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25 April 2007, pp. 190-192
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Ritual Imports: Performing Medieval Drama in America. By Claire Sponsler. Ithaca and London: Cornell University Press, 2004; pp. 235. $35 cloth.
Angie Abdou
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22 October 2007, pp. 375-376
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. AMS Studies in Music. Oxford: Oxford University Press, 2006; pp. xxvi+398, 25 illus. $50 cloth.
Mark Ringer
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25 April 2007, pp. 192-194
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Remembering: Oral History Performance. Edited by Della Pollock. New York: Palgrave Macmillan, 2005; pp. xii+205. $79.95 cloth, $26.95 paper.
Theresa Smalec
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22 October 2007, pp. 377-379
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The Circus and Victorian Society. By Brenda Assael. Charlottesville: University of Virginia Press, 2005; pp. xiii+237, 34 illus. $35.00 cloth.
Emily Allen
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25 April 2007, pp. 194-196
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Page 2 of 3

Theatre Survey

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Volume 48 - May 2007

Book Reviews: Edited by Edward Ziter

Vaudeville Wars: How the Keith–Albee and Orpheum Circuits Controlled the Big-Time and Its Performers. Palgrave Studies in Theatre and Performance. By Arthur Frank Wertheim. New York: Palgrave Macmillan, 2006; pp. xvii+332, 38 illus. $69.95 cloth.

Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: University of Michigan Press, 2005; pp. 339, 13 illus. $70 cloth, $26.95 paper.

Racism, Misogyny, and the “Othello” Myth: Inter-racial Couples from Shakespeare to Spike Lee. By Celia R. Daileader. Cambridge: Cambridge University Press, 2005; pp. x+256, 6 illus. $70 cloth, $25.99 paper.

The Provincetown Players and the Culture of Modernity. By Brenda Murphy. Cambridge: Cambridge University Press, 2006; pp. 282. $85.00 cloth.

Messiah of the New Technique: John Howard Lawson, Communism, and the American Theatre, 1923–1937. By Jonathan L. Chambers. Carbondale: Southern Illinois University Press, 2006; pp. 263. $55 cloth.

Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan. Cambridge: Cambridge University Press, 2005; xiv+190, 10 illus. $75 cloth.

Staging Whiteness. By Mary F. Brewer. Middletown, CT: Wesleyan University Press, 2005 (Lebanon, NH: UPNE); xvi+236. $65 cloth, $24.95 paper.

Staging Gertrude Stein: Absence, Culture, and the Landscape of American Alternative Theatre. By Leslie Atkins Durham. New York: Palgrave Macmillan, 2005; pp. viii + 182, 12 illus. $65.00 cloth.

Shakespeare's Violated Bodies: Stage and Screen Performance. By Pascale Aebischer. Cambridge: Cambridge University Press, 2004; pp. xiii+221, 17 illus. $75 cloth.

The Cambridge Companion to Edward Albee. Edited by Stephen Bottoms. New York: Cambridge University Press, 2005; pp. xxi+263. 8 illus. $65 cloth, $25 paper.

Shakespeare Survey 56: Shakespeare and Comedy. Edited by Peter Holland. Cambridge: Cambridge University Press, 2003; pp. 370. $85 cloth.

Acting Jewish: Negotiating Ethnicity on the American Stage and Screen. By Henry Bial. Ann Arbor: University of Michigan Press, 2005; pp. 195. $60 cloth; $19.95 paper.

Rainer Werner Fassbinder and the German Theatre. By David Barnett. Cambridge Studies in Modern Theatre. Cambridge: Cambridge University Press, 2006; pp. xii+300, 25 illus. $90 cloth.

Unspeakable Acts: The Avant-Garde Theatre of Terayama Shu¯ji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawaii Press, 2005; pp. 340. $48 cloth.

Staging Governance: Theatrical Imperialism in London, 1770–1800. By Daniel O'Quinn. Baltimore: Johns Hopkins University Press, 2005; pp. xi+402, 40 illus. $60 cloth.

Ritual Imports: Performing Medieval Drama in America. By Claire Sponsler. Ithaca and London: Cornell University Press, 2004; pp. 235. $35 cloth.

Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. AMS Studies in Music. Oxford: Oxford University Press, 2006; pp. xxvi+398, 25 illus. $50 cloth.

Remembering: Oral History Performance. Edited by Della Pollock. New York: Palgrave Macmillan, 2005; pp. xii+205. $79.95 cloth, $26.95 paper.

The Circus and Victorian Society. By Brenda Assael. Charlottesville: University of Virginia Press, 2005; pp. xiii+237, 34 illus. $35.00 cloth.

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Volume 48 - May 2007

Book Reviews: Edited by Edward Ziter