Theatre Research International: Volume 35 -

Theatre Research International

Only show content I have access to (9)

Over 3 years (84)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Theatre Research International

Refine listing

Actions for selected content:

Volume 35 - October 2010

Book Review

The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870–1930. By Felicia Hardison Londré. Columbia: University of Missouri Press, 2007. Pp. 327. $34.95 Hb.

The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe. Edited by Robert Justin Goldstein. New York: Berghahn Books, 2009. Pp. ix + 310. $95/£58 Hb.

Theatre of Roots: Redirecting the Modern Indian Stage. By Erin B. Mee. London, New York, Calcutta: Seagull, 2008. Pp. xviii + 412. £16.99/$29.95 Pb.

Dance, Spectacle, and the Body Politick, 1250–1750. Edited by Jennifer Nevile. Bloomington: Indiana University Press, 2008. Pp. 375 + illus. $65 Pb.

Robert Helpmann: A Servant of Art. By Anna Bemrose. St Lucia: University of Queensland Press, 2008. Pp. ix + 403. AU$49.95 Hb.

The Swastika and the Stage: German Theatre and Society 1933–1945. By Gerwin Strobl. Cambridge: Cambridge University Press, 2007. Pp. xiv + 341. £19.99/$36.99 Pb; £57/$98 Hb.

Visuality in the Theatre: The Locus of Looking. By Maaike Bleeker. Basingstoke and New York: Palgrave Macmillan, 2008. Pp xiii + 228. £50/$80 Hb.

Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire. By Joel Schechter. Philadelphia: Temple University Press, 2008. Pp. 304. $39.50 Hb.

Hostile Takeover: On Violence and Media – Performance and Media Studies. Edited by Friedemann Kreuder and Constanze Schuler. Marburg: Tectum Verlag, 2008. Pp. 118. €24.90/£19.99 Pb.

Howard Barker: Ecstasy and Death – An Expository Study of His Drama, Theory and Production Work, 1988–2008. By David Ian Rabey. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xii + 289. £50/$90 Hb.

Molière, the French Revolution, and the Theatrical Afterlife. By Mechele Leon. Iowa City: University of Iowa Press, 2009. Pp. viii + 184 + 8 illus. £33.50/$39.95 Hb.

Closer: Performance, Technologies, Phenomenology. By Susan Kozel. Cambridge, MA: The MIT Press, 2008. Pp. 362. $35/£22.95 Hb.

Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. By Bruce McConachie. Basingstoke and New York: Palgrave Macmillan, 2008. Pp. vii + 260. £40/$74.95 Hb.

Shylock in Germany: Antisemitism and the German Theatre from the Enlightenment to the Nazis. By Andrew G. Bonnell. London: Tauris, 2008. Pp. viii + 254. £49.50 Hb.

Performance, Technology, & Science. By Johannes Birringer. New York: PAJ, 2008. Pp. 338. £16.68/$24.95 Pb.

A History of German Theatre. Edited by Simon Williams and Maik Hamburger. Cambridge: Cambridge University Press, 2008. Pp. xvii + 445 + 26 illus. £65/$115 Hb.

Theatre Research International

Refine listing

Actions for selected content:

Save Search

Volume 35 - October 2010

Book Review