New Books
Theatre & National Identity in Colonial India: Formation of a Community through Cultural Practice. By Sharmistha Saha. Delhi: Aakar Books, 2018. Pp. 255 + 12 illus. Rs. 695/$89.99 Hb; $69.99 Ebook.
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- 13 November 2019, pp. 321-322
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Political Acts: Women in Northern Irish Theatre, 1921–2012. By Fiona Coleman Coffey. Syracuse: Syracuse University Press, 2016. Pp. xx + 294. $65 Hb; $29.95 Pb.
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- 02 August 2019, pp. 213-214
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Performance Now: Live Art for the 21st Century. By RoseLee Goldberg. London: Thames & Hudson, 2018. Pp. 272 + 361 illus. £32/$45 Hb.
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- 13 November 2019, pp. 322-323
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Applied Theatre: Economies. Edited by Molly Mullen. London and New York: Bloomsbury, 2019. Pp. xiv + 265. £64.80/$73.44 Hb.
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- 02 August 2019, pp. 214-215
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Book Review
Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb.
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- 03 April 2019, pp. 108-109
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New Books
Tsubouchi Shóyó's Shinkyoku Urashima and the Wagnerian Moment in Meiji Japan. By Daniel John Gallimore. Lewiston: Edwin Mellen Press, 2016. Pp. 216. $179.95 Hb.
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- 13 November 2019, pp. 323-324
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Book Review
Performing Wales: People, Memory and Place. By Lisa Lewis. Cardiff: University of Wales Press, 2018. Pp. xvi + 288 + 16 illus. £24.99/$40.00 Pb.
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- 03 April 2019, pp. 109-110
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New Books
Fiery Temporalities in Theatre and Performance: The Initiation of History. By Maurya Wickstrom. London and New York: Bloomsbury, 2018. Pp. x + 249. £81.00 Hb.
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- 02 August 2019, pp. 215-216
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Book Review
International Performance Research Pedagogies: Towards an Unconditional Discipline? Edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and Kati Röttger. London: Palgrave MacMillan, 2017. Pp. xix + 235. £63.99/$80 Hb.
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- 03 April 2019, pp. 111-112
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New Books
Staging Modernist Lives: H.D., Mina Loy, Nancy Cunard, Three Plays and Criticism. By Sasha Colby. Montreal and Kingston: McGill-Queen's University Press, 2017. Pp. x + 320. $110 Hb.
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- 13 November 2019, pp. 325-326
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Performing Dramaturgy. By Fiona Graham. Wellington: Playmarket, 2017. Pp. iii + 190. NZ$40 Pb.
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- 02 August 2019, pp. 216-217
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Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives. Edited by Matthew Reason and Anja Mølle Lindelof. New York and London: Routledge, 2016. Pp. xvi + 304. $155 Hb; $57.95 Ebook.
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- 02 August 2019, pp. 218-219
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Books Received
Books Received
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- 03 April 2019, p. 113
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Transnational Performance, Identity and Mobility in Asia. Edited by Iris H. Tuan and Ivy I-Chu Chang. Singapore: Palgrave Pivot, 2018. Pp. xx + 164 + 30 illus. £44.99 Hb.
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- 13 November 2019, pp. 326-327
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Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition. By Nurit Yaari. Oxford: Oxford University Press, 2018. Pp. xvii + 460. £100 Hb.
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- 02 August 2019, pp. 219-220
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I Have Loved Me a Man: The Life and Times of Mika. By Sharon Mazer. Auckland: Auckland University Press, 2018. Pp. 288 + 201 illus. £30/$59.95 (NZD) Hb.
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- 13 November 2019, pp. 327-328
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Front Cover (OFC, IFC) and matter
TRI volume 44 issue 1 Cover and Front matter
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- 03 April 2019, pp. f1-f4
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New Books
Volksschule des Theaters: Nationalsozialistische Massenspiele. By Evelyn Annuß. Paderborn: Wilhelm Fink, 2019. Pp. viii + 569. €39.90 Pb.
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- 13 November 2019, pp. 329-330
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Back Cover (IBC, OBC) and matter
TRI volume 44 issue 1 Cover and Back matter
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- 03 April 2019, pp. b1-b3
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New Books
Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist. By Julian Meyrick. Leiden: Brill Rodopi, 2017. Pp. xxii + 264 + 13 illus. $82.00/€71 Hb.
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- 02 August 2019, pp. 220-221
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