Contents
Book Review
The Changing Room: Sex, Drag and the Theatre. By Laurence Senelick. London & New York: Routledge, 2000. Pp. xvi + 540 + illus. $100 Hb; $29.95 Pb.
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- 18 June 2002, pp. 213-226
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From Mimesis to Interculturalism: Readings of Theatrical Theory Before and After ‘Modernism’. By Graham Ley. Exeter: University of Exeter Press, 1999. Pp. xii + 348. £45 Hb.
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The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies. By Ric Knowles. Toronto: ECW Press, 1999. Pp. 288. $19.95 Pb.
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Site-Specific Art: Performance, Place and Documentation. By Nick Kaye. London and New York: Routledge, 2000. Pp. xviii + 238. $16.99 Pb.
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Le Brasier, Le Fleuve: Georg Büchner. By Pierre Silvain. Paris: Gallimard, 2000. Pp. 144. 90 FF Pb.
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The Cambridge Companion to Chekhov. Edited by Vera Gottlieb and Paul Allain. Cambridge: Cambridge University Press, 2000. Pp. xxxiii + 293 illus. £37.50 Hb; £13.95 Pb.
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Shakespeare and the Japanese Stage. Edited by Takashi Sasayama, J. R. Mulryne and Margaret Shewring. Cambridge: Cambridge University Press, 1998. Pp. xiii + 357 + illus. £45 Hb. Performing Shakespeare in Japan. Edited by Minami Ryuta, Ian Carruthers and John Gillies. Cambridge: Cambridge University Press, 2001. Pp. xiii + 259 + illus. £45 Hb.
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Rings of Desire. Circus History and Representation. By Helen Stoddart. Manchester and New York: Manchester University Press, 2000. Pp. x + 209 + illus. £40 Hb; £12.99 Pb.
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Jacques Lecoq and the British Theatre. Edited by Franc Chamberlain and Ralph Yarrow. London: Routledge Harwood, 2002. Pp. 121 + illus. £19.99 Pb.
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Contemporary American Playwrights. By Christopher Bigsby. Cambridge: Cambridge University Press, 1999. Pp. ix + 440. £15.95 Pb. £42.50 Hb. Modern American Drama, 1945–2000. By Christopher Bigsby. Cambridge: Cambridge University Press, 2000. £15.95 Pb. £40.00 Hb.
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Medea in Performance, 1500–2000. Edited by Edith Hall, Fiona Macintosh and Oliver Taplin. Oxford: Legenda/European Humanities Research Centre, 2000. Pp. xvi + 304 + illus. £27.50/$49.50 Pb.
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Performing History: Theatrical Representations of the Past in Contemporary Theatre. By Freddie Rokem. Iowa City: University of Iowa Press, 2000. Pp. xiv + 241 + illus. $42.95 Hb.
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The Moving Body: Teaching Creative Theatre. By Jacques Lecoq, with Jean-Gabriel Carasso and Jean-Claude Lallias. Translated by David Bradby with a foreword by Simon McBurney. London: Methuen, 2000. Pp. ix + 169. £14.99 Hb.
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O Brave New World: Two Centuries of Shakespeare on the Australian Stage. Edited by John Golder and Richard Madelaine. Sydney: Currency Press, 2001. Pp. xiv + 256 + illus. AUS$ 39.95 Pb.
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The Cambridge History of American Theatre, volume 1: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998. Pp. xvi + 525 + illus. $69.95 Hb. The Cambridge History of American Theatre, volume 2: 1870 to 1945. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1999. Pp. xviii + 590 + illus. $95 Hb. The Cambridge History of American Theatre, volume 3: Post World War II to the 1990s. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 2000.
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Post-War British Drama: Looking Back in Gender. By Michelene Wandor. London: Routledge, 2001. Pp. 265. £16.99 Pb.
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The Full-Room: An A-Z of Contemporary Playwriting. By Dominic Dromgoole. London: Methuen, 2000. Pp. xii + 299. £18.99 Hb.
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Books Received
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- 19 June 2002, pp. 227-230
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Gender and Literacy on Stage in Early Modern England. By Eve Rachele Sanders. Cambridge: Cambridge University Press, 1999. Pp. xvii + 260. £35; $54.95 Hb.
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Cultures, Communities, Identities: Cultural Strategies for Participation and Empowerment. By Marjorie Mayo. Basingstoke: Palgrave, 2000. Pp. viii + 217. £42.50 Hb.
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