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The New American Circus. By Ernest Albrecht. Gainesville: University Press of Florida, 1995. Pp. xiv + 258 + illus. $29.95.
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- 23 January 2009, pp. 271-272
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Shakespeare Survey 48: Shakespeare and Cultural Exchange. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1995. Pp. x + 300. £0/$64.95.
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- 23 January 2009, p. 75
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Christopher Hampton: Dramatic Ironist. By Ben Francis. Charlbury, Oxford: Amber Lane Press, 1996. Pp. 192. £16.95 Hb.
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- 23 January 2009, pp. 175-176
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Shakespeare: an Illustrated Stage History. Edited by Jonathan Bate and Russell Jackson. Oxford: Oxford University Press, 1996. Pp. xix + 253 + illus. £20 Hb.
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- 23 January 2009, pp. 75-77
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Challenging the Centre: Two Decades of Political Theatre. Edited by Steve Capelin. Brisbane: Playlab Press, 1995. Pp. 392. Aus$39.95.
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- 23 January 2009, pp. 272-273
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Allegories of Kingship: Calderón and the Anti-Machiavellian Tradition. Stephen Rupp. University Park: Pennsylvania State Press, 1996. Pp. 187. $28.50.
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- 23 January 2009, p. 77
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The Politics of Alternative Theatre in Britain, 1968–1990: The Case of 7:84 (Scotland). By Maria DiCenzo. Cambridge: Cambridge University Press, 1996. Pp. xiv + 247 + illus. £30/$54.95 Hb.
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- 23 January 2009, pp. 273-274
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Guiding the Plot: Politics and Feminism in the Work of Women Playwrights From Spain and Argentina. By Ann Witte. (Wor(l)ds of Change. Latin American and Iberian Literature Series, Vol. 20.) New York: Peter Lang Publishing Inc., 1996. Pp. 167. $44.
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- 23 January 2009, p. 176
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Women in Dramatic Place and Time: Contemporary Female Characters on Stage. By Geraldine Cousin. London & New York: Routledge, 1996. Pp. vii + 211. £40; 12.99.
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- 23 January 2009, pp. 176-177
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Theater in Israel. Edited by Linda Ben-Zvi. Ann Arbor: University of Michigan Press, 1996. Pp. 450 + illus. $52.50 Hb.
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- 23 January 2009, pp. 274-275
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English Drama 1660–1700. By Derek Hughes. Oxford: Clarendon Press, 1996. Pp. x + 503. £60.
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- 23 January 2009, pp. 77-78
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A Politic Theatre: The Drama of David Hare. By Scott Fraser. (Costerus New Series 105.) Amsterdam & Atlanta, GA: Rodopi, 1996. Pp. 208. Hfl. 65/$40.50.
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- 23 January 2009, pp. 177-178
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Theatre and Change in South Africa. Edited by Geoffrey V. Davis & Anne Fuchs. The Netherlands: Harwood Academic Publishers, 1996. Pp. xxiv + 336 + illus. Nfl. 25.
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- 23 January 2009, p. 275
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Hoftheater: Zur Geschichte des Theaters und der Höfe im 18. und 19. Jahrhundert. By Ute Daniel. Stuttgart: Klett-Cotta, 1995. Pp. 537. DM 98.
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- 23 January 2009, pp. 78-79
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Signs of Performance: An Introduction to Twentieth-Century Theatre. By Colin Counsell. London & New York: Routledge, 1996. Pp. viii + 242. £10.99 Pb.
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- 23 January 2009, p. 178
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Theatre in Europe—a Documentary History—Naturalism and Symbolism in European Theatre, 1850–1918. Edited by Claude Schumacher. Cambridge: Cambridge University Press, 1996. Pp. XXV + 531 + illus. £80.
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- 23 January 2009, pp. 79-80
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Digging the Africanist Presence in American Performance: Dance and other Centexts. By Brenda Dixon Gottschild. Westport, CT: Greenwood Press, 1996. Pp. xvi + 189. $45.
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- 23 January 2009, pp. 276-277
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Scottish Theatre Since the Seventies. Edited by Randall Stevenson and Gavin Wallace. Edinburgh: Edinburgh University Press, 1996. Pp. viii + 240. £12.99 Pb.
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- 23 January 2009, pp. 178-179
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The Edwardian Theatre: Essays on Performance and the Stage. Edited by Michael R. Booth and Joel H. Kaplan. Cambridge: Cambridge University Press, 1996. Pp. xii + 243 + illus. £30/$49.95.
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- 23 January 2009, p. 81
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Post-Colonial Drama: Theory, Practice, Politics. By Helen Gilbert and Joanne Tompkins. London and New York: Routledge, 1996. Pp. x + 344. £45 Hb; £14.99 Pb.
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- 23 January 2009, p. 277
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