Article
Procedurally Authored Performances of Mindful Practice: Theatre-for-One, Audience Labor, and Self-Optimization
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- 16 June 2022, pp. 147-157
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Yale TDR Consortium Issue
Metered Togetherness: Affective Drifts and Temporal Proximities
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- 01 December 2022, pp. 127-142
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Books
Precarious Forms: Performing Utopia in the Neoliberal Americas. By Candice Amich. Evanston, IL: Northwestern University Press, 2020; 232 pp.; illustrations. $99.95 cloth, $34.95 paper, e‐book available.
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- 01 March 2022, pp. 174-175
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Article
What’s the Crowd Got to Do with It?: On Fandom and Antifascist Action at Eis Hockey Club Dynamo Berlin
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- 01 September 2022, pp. 133-148
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Yale TDR Consortium Issue
Back for Good: Heterotopic Memory in Melbourne’s Queer Nightlives
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- 01 December 2022, pp. 143-160
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Article
Banal Profundity and Profound Banality: Three Exercises in Reading Hong Kong
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- 16 June 2022, pp. 158-173
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Student Essay Contest Winner
Breathing Bricks: Nut Brother’s Dust Project and the Politics of Particulate Matter
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- 01 September 2022, pp. 149-165
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Dancing Odissi: Paratopic Performances of Gender and State. By Anurima Banerji. Kolkata: Seagull Books, 2019; 467 pp.; illustrations. $35.00 paper, e‐book available.
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- 01 March 2022, pp. 175-177
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Yale TDR Consortium Issue
Presently in Beds: Re/mediating the Sensible in Argentine Postdictatorship Performance
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- 01 December 2022, pp. 161-178
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Critical Acts
The Dark Master, Kuro Tanino: Onsite VR Contemporary Theatre
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- 16 June 2022, pp. 174-178
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Siren Song: Understanding Pakistan Through Its Women Singers. By Fawzia Afzal-Khan. Oxford: Oxford University Press, 2020; 252 pp.; illustrations. $20.00 paper.
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- 01 March 2022, pp. 177-179
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Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. By Daphne A. Brooks. Cambridge, MA: Harvard University Press, 2021; 608 pp.; illustrations. $39.95 paper, e-book available.
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- 01 September 2022, pp. 166-167
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Performing Flight: From the Barnstormers to Space Tourism. By Scott Magelssen. Ann Arbor: University of Michigan Press, 2020; 204 pp.; 12 illustrations. $75.00 cloth, $29.95 paper, e-book available.
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- 16 June 2022, pp. 179-180
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In Between Subjects: A Critical Genealogy of Queer Performance. By Amelia Jones. London: Routledge, 2021; 359 pp.; illustrations. $96.00 cloth, $23.99 paper, e‐book available.
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- 01 March 2022, pp. 179-181
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Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century. Edited by Penny Farfan and Lesley Ferris. Ann Arbor: University of Michigan Press, 2021; 315 pp. $90 cloth, $34.95 paper, e-book available.
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- 01 September 2022, pp. 168-169
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Front Cover (OFC, IFC) and matter
TDR volume 66 issue 4 Cover and Front matter
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- 01 December 2022, pp. f1-f6
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Contemporary PerforMemory: Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century. By Layla Zami. Bielefeld, Germany: Transcript, 2020; 292 pp.; illustrations. $45.00 paper, e-book available.
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- 01 September 2022, pp. 169-171
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Playing Real: Mimesis, Media, and Mischief. By Lindsay Brandon Hunter. Evanston, IL: Northwestern University Press, 2021; 162 pp. $99.95 cloth, $34.95 paper, e‐book available.
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- 01 March 2022, pp. 182-183
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Back Cover (IBC, OBC) and matter
TDR volume 66 issue 4 Cover and Back matter
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- 01 December 2022, pp. b1-b7
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Yeats on Theatre. By Christopher Morash. Cambridge: Cambridge University Press, 2021; 250 pp. $99.99 cloth, e-book available.
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- 16 June 2022, pp. 181-182
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