Volume 66 - Summer 2007
Book Reviews
The Models of Space, Time and Vision in V. Nabokov's Fiction: Narrative Strategies and Cultural Frames. By Marina Grishakova. Tartu Semiotics Library 5. Tartu: Tartu University Press, 2006. 324 pp. Notes. Bibliography. Index. Figures. Paper.
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- 27 January 2017, pp. 568-569
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Breaking Ground: Travel and National Culture in Russia from Peter I to the Era of Pushkin. By Sara Dickinson. Studies in Slavic Literature and Poetics, no. 45. New York: Editions Rodopi, 2006. 291 pp. Notes. Bibliography. Index. $75.00, paper.
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- 27 January 2017, pp. 778-779
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My Petersburg/Myself: Mental Architecture and Imaginative Space in Modern Russian Letters. By Anna Lisa Crone and Jennifer Jean Day. Bloomington, Ind.: Slavica Publishers, 2004. 385 pp. Notes. Index. $29.95, paper.
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- 27 January 2017, pp. 364-365
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Russia and NATO since 1991: From Cold War through Cold Peace to Partnership? By Martin A. Smidi. Roudedge Advances in International Relations and Global Politics. New York: Roudedge Publishers, 2006. ix, 163 pp. Notes. Index. $65.00, hard bound.
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- 27 January 2017, pp. 165-166
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Flint on a Bright Stone: A Revolution of Precision and Restraint in American, Russian, and German Modernism. By Kirsten Blythe Painter. Verbal Art Studies in Poetics. Stanford: Stanford University Press, 2006. xx, 306 pp. Notes. Bibliography. Index. $60.00, hard bound.
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- 27 January 2017, pp. 365-366
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Das schreibende Ich in der Fremde: Il'ja Ehrenburgs and Vladimir Nabokovs Berliner Prosa der 1920er jahre. By Gudrun Heidemann. Schrift und Bild in Bewegung, vol. 11. Bielefeld: Aisthesis Verlag, 2005. 415 pp. Notes. Bibliography. Filmography. Photographs. €39.80, paper.
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- 27 January 2017, pp. 569-570
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Flawed Succession: Russia's Power Transfer Crises. Ed. Uri Ra'anan. Foreword, Robert Conquest. Lanham, Md.: Lexington Books, 2006. xix, 177 pp. Notes. Bibliography. Index. $24.95, paper.
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- 27 January 2017, pp. 166-167
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The Dramatic Works of Catherine the Great: Theatre and Politics in Eighteenth-Century Russia. By Lurana Donnels O'Malley. Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance. Burlington, Vt.: Ashgate, 2006. xiv, 227 pp. Appendix. Notes. Bibliography. Index. Illustrations. $99.95, hard bound.
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- 27 January 2017, pp. 779-780
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The Worlds ofS. An-sky: A Russian Jewish Intellectual at the Turn of the Century. Ed. Gabriella Safran and Steven Zipperstein. Stanford Studies in Jewish History and Culture. Stanford: Stanford University Press, 2006. xxxii, 542 pp. Appendix. Notes. Bibliography. Chronology. Index. Illustrations. Photographs. Figures. Map. Musical Examples. CD. $27.95, paper.
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- 27 January 2017, pp. 780-781
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Boris Pil'njaks Poetik des Selbstzitats in den 30er jahren. By Natalie Kromm. Slavische Literaturen. Texte und Abhandlungen, vol. 34. Frankfurt am Main: Peter Lang, 2005. 293 pp. Notes. Bibliography. $57.95, paper.
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- 27 January 2017, pp. 570-571
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Nabokov and the Art of Painting. By Gerard de Vries and D. Barton Johnson, widi an essay by Liana Ashenden. Amsterdam: Amsterdam University Press, 2006. 223 pp. Appendixes. Notes. Bibliography. Index. Illustrations. Plates. Table. $59.50, paper.
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- 27 January 2017, pp. 366-367
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Virtual Politics: Faking Democracy in the Post-Soviet World. By Andrew Wilson. New Haven: Yale University Press, 2005. xviii, 332 pp. Notes. Index. Illustrations. $40.00, hard bound.
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- 27 January 2017, pp. 167-168
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Women's Health in Post-Soviet Russia: The Politics of Intervention. By Michele Rivkin-Fish. New Andiropologies of Europe. Bloomington: Indiana University Press, 2005. xiv, 253 pp. Notes. Bibliography. Index. $50.00, hard bound. $21.95, paper.
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- 27 January 2017, pp. 168-169
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Dream Factory Communism: The Visual Culture of the Stalin Period/Traumfabrik Kommunismus: Die visuelle Kultur der Stalinzeit. Ed. Boris Groys and Max Hollein. Ostfildem, Germany: Hatje Cantz Verlag, 2003. 464 pp. Notes. Bibliography. Chronology. Plates. Photographs. $55.00, hard bound.
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- 27 January 2017, pp. 571-573
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The Artist as Producer: Russian Constructivism in Revolution. By Maria Gough. Berkeley: University of California Press, 2005. xii, 258 pp. Notes. Bibliography. Glossary. Index. Illustrations. Plates. Photographs. $49.95, hard bound.
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- 27 January 2017, pp. 367-368
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Maxim Gorky: Russian Dramatist. By Cynthia Marsh. Oxford: Peter Lang, 2006. 382 pp. Notes. Bibliography. Index. Illustrations. $71.95, paper.
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- 27 January 2017, pp. 781-782
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Creative Union: The Professional Organization of Soviet Composers, 1939-1953. By Kiril Tomoff. Ithaca: Cornell University Press, 2006. xiv, 321 pp. Notes. Bibliography. Index. Tables. $57.50, hard bound.
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- 27 January 2017, pp. 573-574
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Der Kult des toten Didders und die russische Moderns: Puškin–Blok–Majakovskij. By Wolfgang Stephan Kissel. Bausteine zur slavischen Philologie und Kulturgeschichte, neue Folge. Reihe A: Slavistische Forschungen, vol. 45. Cologne: Böhlau Verlag, 2004. viii, 318 pp. Notes. Bibliography. Index. €34.90, hard bound.
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- 27 January 2017, p. 169
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Imagine No Possessions: The Socialist Objects of Russian Constructiirism. By Christina Kiaer. Cambridge, Mass.: MIT Press, 2005. xvii, 326 pp. Notes. Bibliography. Index. Illustrations. Plates. Photographs. $39.95, hard bound.
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- 27 January 2017, pp. 368-369
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The Same Solitude: Boris Pasternak and Marina Tsvetaeva. By Catherine Ciepiela. Ithaca: Cornell University Press, 2006. xi, 303 pp. Appendix. Notes. Index. Photographs. $22.95, hard bound.
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- 27 January 2017, pp. 782-783
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