Renaissance Quarterly: Volume 51 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Volume 51 - Winter 1998

Reviews

Jackson I. Cope. Secret Sharers in Italian Comedy from Machiavelli to Goldoni. Durham and London: Duke University Press, 1996. x + 221pp. $39.95. ISBN: 0-8223-1760-6.

Anita Fiderer Moskowitz. Nicola Pisano's Arca di San Domenico and Its Legacy. (CAA Monographs on the Fine Arts, 50.) University Park: Pennsylvania State University Press, 1994. 98 pls. + xiii + 76 pp. $55. ISBN: 027-1009-46-2.

Girolamo Angeriano. The Erotopaegnion: A Trifling Book of Love. Ed. Allan M. Wilson. (Bibliotheca Humanistica et Reformatorica, 53.) Nieuwkoop: De Graaf, 1995. 465 pp. Hfl 125. ISBN: n.a.

Frederic J. Baumgartner. Louis XII. New York: St. Martin's Press, 1996. 3 maps + x + 319pp. $17.95. ISBN: n.a.

Luis Gásser. Luis Milán on Sixteenth-Century Performance Practices. (Publications of the Early Music Institute.) Bloomington and Indianapolis: Indiana University Press, 1996. 232 pages, 26 b/w photos., 7 illus., 139 musical examples, fwd., notes. $24.95 (pap). ISBN: 0-2532-1018-6.

Torquato Tasso. Lettere Poetiche. Ed. Carla Molinari Parma: Fondazione Pietro Bembo / Ugo Guanda, 1995. 521 pp. n.p. ISBN: n.a.

Lew Andrews. Story and Space in Renaissance Art: The Rebirth of Continuous Narrative. Cambridge and New York: Cambridge University Press, 1995. 22b/willus.+ 188 pp. $49.50.

Ignacio Navarrete. Orphans of Petrarch: Poetry and Theory in the Spanish Renaissance. (Publication of the Center for Medieval and Renaissance Studies, 25.) Berkeley and Los Angeles: University of California Press, 1994. 297 pp. $40. ISBN: 0-520-08373-3.

Michael Randall. Building Resemblance: Analogical Imagery in the Early French Renaissance. Baltimore, MD: The Johns Hopkins University Press, 1996. 221 pp. $40. ISBN: 0-8018-5298-6.

Moderata Fonte. Tredici canti del Floridoro. Ed. Valeria Finucci. Modena: Mucchi, 1995. xlvi + 227 pp. IL30,000. ISBN: 88-7000-254-3.

William R. Blue. Spanish Comedies and Historical Contexts in the 1620s. (Penn State Studies in Romance Literatures.) University Park, PA: The Pennsylvania State University Press, 1996. xi + 259 pp. $42.50. ISBN 0-271-01546-2.

Frederick A. de Armas, ed. Heavenly Bodies: The Realms of La estrella de Sevilla. o/La estrella de Sevilla. Lewisburg and London: Bucknell University Press, Associated University Presses, 1996. 294 pp. $45. ISBN: n.a.

Michèle Clément. Une Poétique de crise: Poètes baroques et mystiques (1570-1660). Paris: Honoré Champion, 1996. (Bibliothèque Littéraire de la Renaissance; Series 3, 34.) 434 pp. FF 440. ISBN: n.a.

Augustin Redondo. Le corps comme métaphore dans l'Espagne des XVIe et XVIIe siècles. (Travaux du Centre de Recherche sur I'Espagne des XVIe et XVIIe siécles, 7.) Paris: Sorbonne, 1992. 349 pp. FF 140. ISBN: 2-85944-211-1.

Diane Cole Ahl. Benozzo Gozzoli. New Haven: Yale University Press, 1996. 314+ illus. + 340 pp. $60. ISBN 0-300-06699-6.

Edith Balas. Michelangelo's Medici Chapel: A New Interpretation. Philadelphia: American Philosophical Society, 1995. 52 figs. + x + 196 pp. $40.

Frank Lestringant. Cannibals: The Discovery and Representation of the Cannibal from Columbus to Jules Verne. Trans. Rosemary Morris. (The New Historicism, 37). Berkeley and Los Angeles: University of California Press, 1997. vii + 247 pp. $38. ISBN 0-520-20240-6.

Matthew D. Stroud. The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater. Lewisburg: Bucknell University Press. London: Associated University Presses, 1996. 242 pp. $39.50. ISBN: 0-8387-5315-9.

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Volume 51 - Winter 1998

Reviews