Volume 68 - Fall 2015
Reviews
Wooden Os: Shakespeare’s Theatres and England’s Trees. Vin Nardizzi. Toronto: University of Toronto Press, 2013. xii + 206 pp. $60.
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- 20 November 2018, pp. 401-403
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Shakespeare Performance Studies. William B. Worthen. Cambridge: Cambridge University Press, 2014. x + 254 pp. $95.
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- 20 November 2018, pp. 1145-1147
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Posthumous Love: Eros and the Afterlife in Renaissance England. Ramie Targoff. Chicago: University of Chicago Press, 2014. xiii + 244 pp. $40.
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- 20 November 2018, pp. 796-797
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Lire Les Tragiques d’Agrippa d’Aubigné. Frank Lestringant. With Jean-Charles Monferran. Études et essais sur la Renaissance 102. Paris: Classiques Garnier, 2013. 142 pp. €15.
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- 20 November 2018, pp. 1514-1515
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Late Shakespeare, 1608–1613. Andrew J. Power and Rory Loughnane, eds. Cambridge: Cambridge University Press, 2013. xii + 344 pp. $99.
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- 20 November 2018, pp. 403-404
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Théâtre: Tome I. Pierre Corneille. Ed. Claire Carlin, Jean de Guardia, Marc Vuillermoz, and Liliane Picciola. Bibliothèque du Théâtre Français 20. Paris: Classiques Garnier, 2014. 974 pp. €49.
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- 20 November 2018, pp. 1515-1517
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Acting Companies and Their Plays in Shakespeare’s London. Siobhan Keenan. The Arden Shakespeare. London: Bloomsbury, 2014. x + 272 pp. $32.95.
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- 20 November 2018, pp. 1147-1148
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Early Modern Women and the Poem. Susan Wiseman, ed. Manchester: Manchester University Press, 2013. x + 256 pp. £70.
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- 20 November 2018, pp. 797-799
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Thomas Browne. Kevin Killeen, ed. 21st-Century Oxford Authors. Oxford: Oxford University Press, 2014. xlv + 996 pp. $160.
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- 20 November 2018, pp. 799-800
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Othello: The State of Play. Lena Cowen Orlin, ed. Arden Shakespeare: The State of Play. London: Bloomsbury, 2014. xi + 290 pp. $26.95.
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- 20 November 2018, pp. 1148-1149
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Screening Early Modern Drama: Beyond Shakespeare. Pascale Aebischer. Cambridge: Cambridge University Press, 2013. xi + 274 pp. $99.
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- 20 November 2018, pp. 405-406
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Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France. Joseph Harris. Oxford: Oxford University Press, 2014. 282 pp. $85.
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- 20 November 2018, pp. 1517-1518
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Women Making Shakespeare: Text, Reception and Performance. Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughan, eds. The Arden Shakespeare. London: Bloomsbury, 2014. xiii + 368 pp. $27.95.
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- 20 November 2018, pp. 1150-1151
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Thomas Killigrew and the Seventeenth-Century English Stage: New Perspectives. Philip Major, ed. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xii + 224 pp. $99.95.
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- 20 November 2018, pp. 800-802
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Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England. Miriam Jacobson. Philadelphia: University of Pennsylvania Press, 2014. x + 286 pp. $59.95.
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- 20 November 2018, pp. 1518-1520
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Collecting Shakespeare: The Story of Henry and Emily Folger. Stephen H. Grant. Baltimore: Johns Hopkins University Press, 2014. xvi + 244 pp. $29.95.
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- 20 November 2018, pp. 406-408
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Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Lindsay Ann Reid. Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2014. xii + 218 pp. $109.95.
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- 20 November 2018, pp. 1520-1522
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Trade and Romance. Michael Murrin. Chicago: University of Chicago Press, 2014. x + 328 pp. $45.
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- 20 November 2018, pp. 408-409
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Front matter
RQX volume 68 issue 2 Cover and Front matter
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- 01 April 2019, p. f1
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Reviews
Shakespeare’s Medical Language: A Dictionary. Sujata Iyengar. Arden Shakespeare Dictionaries. London: Bloomsbury, 2014. xvi + 416 pp. $36.99.
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- 20 November 2018, pp. 1151-1152
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