Renaissance Quarterly: Volume 75 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 75 - Winter 2022

Review

The Republic of Venice: “De magistratibus et republica Venetorum.” Gasparo Contarini. Ed. Filippo Sabetti. Trans. Giuseppe Pezzini and Amanda Murphy. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2020. 136 pp. $36.95.

Bravura: Virtuosity and Ambition in Early Modern European Painting. Nicola Suthor. Princeton, NJ: Princeton University Press, 2021. viii + 296 pp. $65.

Reviews

The Procaccini and the Business of Painting in Early Modern Milan. Angelo Lo Conte. Visual Culture in Early Modernity. London: Routledge, 2021. xii + 162 pp. $160.

Architectural Rhetoric and the Iconography of Authority in Colonial Mexico: The Casa de Montejo. C. Cody Barteet. Visual Culture in Early Modernity. New York: Routledge, 2020. xvi + 180 pp. $155.

Review

Andrea Pozzo and the Religious Theatre of the Seventeenth Century. Andrew Horn. Early Modern Catholicism and the Visual Arts 18. Philadelphia, PA: Saint Joseph's University Press, 2019. x + 428 pp. $120.

Reviews

Art and Reform in the Late Renaissance: After Trent. Jesse M. Locker, ed. Visual Culture in Early Modernity. New York: Routledge, 2019. xii + 330 pp. $155.

Review

Framing the Church: The Social and Artistic Power of Buttresses in French Gothic Architecture. Maile S. Hutterer. University Park: Pennsylvania State University Press, 2020. xiv + 208 pp. $99.95.

Reviews

Chapels of the Cinquecento and Seicento in the Churches of Rome: Form, Function, Meaning. Chiara Franceschini, Steven F. Ostrow, and Patrizia Tosini, eds. Milan: Officina Libraria, 2020. 272 pp. €40.

Review

Filippino Lippi: Beauty, Invention and Intelligence. Paula Nuttall, Geoffrey Nuttall, and Michael Kwakkelstein, eds. NIKI Studies in Netherlandish-Italian Art History 13. Leiden: Brill, 2020. xxviii + 380 pp. $184.

Reviews

Artistic Circulation between Early Modern Spain and Italy. Kelley Helmstutler Di Dio and Tommaso Mozzati, eds. Visual Culture in Early Modernity. New York: Routledge, 2020. xii + 246 pp. $160.

Review

Gardens of Love and the Limits of Morality in Early Netherlandish Art. Andrea Pearson. Brill's Studies in Intellectual History 296. Leiden: Brill, 2019. xxii + 356 pp. €165.

Reviews

Gender, Space and Experience at the Renaissance Court: Performance and Practice at the Palazzo Te. Maria F. Maurer. Visual and Material Culture, 1300–1700 9. Amsterdam: Amsterdam University Press, 2019. 242 pp. €95.

La “donazione de Mabilia” nella cattedrale di Montepeloso: Nuove prospettive di ricerca. Franco Benucci and Matteo Calzone. Il mito e la storia 15. Padova: Esedra Editrice, 2019. x + 180 pp. €27.

Review

Frame Work: Honour and Ornament in Italian Renaissance Art. Alison Wright. New Haven, CT: Yale University Press, 2019. 352 pp. $65.

Reviews

Augustinian Art and Meditation in Renaissance Florence: The Choir Altarpieces of Santo Spirito 1480–1510. Antonia Fondaras. Brill Studies in Intellectual History 308; Brill's Studies on Art, Art History, and Intellectual History 42. Leiden: Brill, 2020. xiv + 370 pp. + color pls. €139.

Review

Luisa Roldán. Catherine Hall-van den Elsen. Illuminating Women Artists: Renaissance and Baroque. London: Lund Humphries, 2021. 144 pp. £30.

Giorgione's Ambiguity. Tom Nichols. Renaissance Lives. Chicago: Reaktion Books, 2020. 254 pp. $22.50.

Reviews

Artemisia Gentileschi and Feminism in Early Modern Europe. Mary D. Garrard. Renaissance Lives. London: Reaktion Books, 2020. 320 pp. £15.95.

Becoming Property: Art, Theory, and Law in Early Modern France. Katie Scott. New Haven, CT: Yale University Press, 2018. 384 pp. $75.

Review

Niederlande und Frankreich: Austausch der Bildkünste im 16. Jahrhundert. Caecilie Weissert, ed. Göttingen: Böhlau Verlag, 2020. 144 pp. €32.99.

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Volume 75 - Winter 2022

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