Renaissance Quarterly: Volume 73 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 73 - Winter 2020

Contents

Page 18 of 22

Reviews

Last Acts: The Art of Dying on the Early Modern Stage. Maggie Vinter. New York: Fordham University Press, 2019. viii + 214 pp. $28.
Elizabeth Williamson
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02 October 2020, pp. 1119-1120
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The Cambridge History of Medieval Music. Mark Everist and Thomas Forrest Kelly, eds. 2 vols. The Cambridge History of Music. Cambridge: Cambridge University Press, 2018. xlvi + 1,248 pp. £180.
Jennifer Thomas
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16 March 2020, pp. 341-343
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Comedias de Agustín Moreto: Segunda parte de comedias, VII; “El caballero,” “El parecido,” “La fingida Arcadia.” Agustín Moreto. Ed. María Luisa Lobato, Guillermo Gómez Sánchez-Ferrer, Héctor Brioso Santos, Luisa Rosselló Castillo, and Marcella Trambaioli. Teatro del Siglo de Oro: Ediciones críticas 215. Kassel: Edition Reichenberger, 2018. vi + 562 pp. €88.
Barbara Mujica
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09 July 2020, pp. 725-726
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Participatory Reading in Late-Medieval England. Heather Blatt. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, 2018. viii + 262 pp. £80.
Phyllis Brown
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22 January 2021, pp. 1458-1460
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Unknowing Fanaticism: Reformation Literatures of Self-Annihilation. Ross Lerner. New York: Fordham University Press, 2019. 232 pp. $30.
Stephen Spencer
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02 October 2020, pp. 1120-1122
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Reading by Design: The Visual Interfaces of the English Renaissance Book. Pauline Reid. Toronto: University of Toronto Press, 2019. xvi + 284 pp. $75.
Julie Christenson
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22 January 2021, pp. 1460-1461
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Eustache Deschamps ca. 1340–1404: Anthologie thématique. Eustache Deschamps. Ed. James Laidlaw and Christine Scollen-Jimack. POLEN: Pouvoir, lettres, normes 7. Paris: Classiques Garnier, 2017. 626 pp. €59.
Deborah M. Sinnreich-Levi
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09 July 2020, pp. 726-728
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Ariosto, Opera, and the 17th Century: Evolution in the Poetics of Delight. Edward Milton Anderson. Ed. Nicola Badolato. With Amyrose McCue Gill. Historiae Musicae Cultores 132. Florence: Olschki, 2017. xii + 278 pp. €32.
Anne MacNeil
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16 March 2020, pp. 343-344
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Mixed Faith and Shared Feeling: Theater in Post-Reformation London. Musa Gurnis. Philadelphia: University of Pennsylvania Press, 2018. x + 258 pp. $59.95.
Claire McEachern
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02 October 2020, pp. 1122-1123
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Dante's Tears: The Poetics of Weeping from “Vita nuova” to the “Commedia.” Rossana Fenu Barbera. Biblioteca dell'“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 468.Florence: Olschki, 2017. xviii + 218 pp. €34.
Anna Wainwright
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16 March 2020, pp. 344-346
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Philippe de Mézières, rhétorique et poétique. Joël Blanchard, Renate Blumenfeld-Kosinski, and Antoine Calvet, eds. Cahiers d'Humanisme et Renaissance 157. Geneva: Droz, 2019. 326 pp. $62.40.
Kiril Petkov
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09 July 2020, pp. 728-729
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Impossible Desire and the Limits of Knowledge in Renaissance Poetry. Wendy Beth Hyman. Oxford: Oxford University Press, 2019. xiv + 202 pp. $75.
Dympna Callaghan
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22 January 2021, pp. 1461-1463
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The Writer's Gift or the Patron's Pleasure? The Literary Economy in Late Medieval France. Deborah McGrady. Toronto: University of Toronto Press, 2019. xiv + 322 pp. $85.
Elizabeth L'Estrange
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09 July 2020, pp. 729-731
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Dante's Philosophical Life: Politics and Human Wisdom in “Purgatorio.” Paul Stern. Philadelphia: University of Pennsylvania Press, 2018. 292 pp. $65.
C. S. Adoyo
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16 March 2020, pp. 346-347
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Retelling the Siege of Jerusalem in Early Modern England. Vanita Neelakanta. The Early Modern Exchange. Newark: University of Delaware Press, 2019. x + 224 pp. $35.
Matthew J. Smith
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22 January 2021, pp. 1463-1464
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Religious Conversion in Early Modern English Drama. Lieke Stelling. Cambridge: Cambridge University Press, 2019. xii + 218 pp. $99.99.
Kenneth J. E. Graham
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02 October 2020, pp. 1124-1125
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Light and Death: Figuration in Spenser, Kepler, Donne, Milton. Judith H. Anderson. New York: Fordham University Press, 2017. 316 pp. $65
Anthony Welch
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02 October 2020, pp. 1125-1127
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Chivalry, Reading, and Women's Culture in Early Modern Spain: From “Amadís de Gaula” to “Don Quixote.” Stacey Triplette. Gendering the Late Medieval and Early Modern World 3. Amsterdam: Amsterdam University Press, 2018. 214 pp. €95.
J. A. Garrido Ardila
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16 March 2020, pp. 348-349
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Biblical Readings and Literary Writings in Early Modern England, 1558–1625. Victoria Brownlee. Oxford: Oxford University Press, 2018. xiii + 256 pp. $70.
Thomas Fulton
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22 January 2021, pp. 1464-1466
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J'aime ta joie parce qu'elle est folle: Écrivains en fête (XVIe et XVIIe siècles). Michel Jeanneret. Titre courant 62. Geneva: Droz, 2018. 236 pp. $38.40.
Corinne Bayerl
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09 July 2020, pp. 731-732
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Page 18 of 22

Renaissance Quarterly

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Volume 73 - Winter 2020

Reviews

Last Acts: The Art of Dying on the Early Modern Stage. Maggie Vinter. New York: Fordham University Press, 2019. viii + 214 pp. $28.

The Cambridge History of Medieval Music. Mark Everist and Thomas Forrest Kelly, eds. 2 vols. The Cambridge History of Music. Cambridge: Cambridge University Press, 2018. xlvi + 1,248 pp. £180.

Participatory Reading in Late-Medieval England. Heather Blatt. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, 2018. viii + 262 pp. £80.

Unknowing Fanaticism: Reformation Literatures of Self-Annihilation. Ross Lerner. New York: Fordham University Press, 2019. 232 pp. $30.

Reading by Design: The Visual Interfaces of the English Renaissance Book. Pauline Reid. Toronto: University of Toronto Press, 2019. xvi + 284 pp. $75.

Eustache Deschamps ca. 1340–1404: Anthologie thématique. Eustache Deschamps. Ed. James Laidlaw and Christine Scollen-Jimack. POLEN: Pouvoir, lettres, normes 7. Paris: Classiques Garnier, 2017. 626 pp. €59.

Ariosto, Opera, and the 17th Century: Evolution in the Poetics of Delight. Edward Milton Anderson. Ed. Nicola Badolato. With Amyrose McCue Gill. Historiae Musicae Cultores 132. Florence: Olschki, 2017. xii + 278 pp. €32.

Mixed Faith and Shared Feeling: Theater in Post-Reformation London. Musa Gurnis. Philadelphia: University of Pennsylvania Press, 2018. x + 258 pp. $59.95.

Dante's Tears: The Poetics of Weeping from “Vita nuova” to the “Commedia.” Rossana Fenu Barbera. Biblioteca dell'“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 468.Florence: Olschki, 2017. xviii + 218 pp. €34.

Philippe de Mézières, rhétorique et poétique. Joël Blanchard, Renate Blumenfeld-Kosinski, and Antoine Calvet, eds. Cahiers d'Humanisme et Renaissance 157. Geneva: Droz, 2019. 326 pp. $62.40.

Impossible Desire and the Limits of Knowledge in Renaissance Poetry. Wendy Beth Hyman. Oxford: Oxford University Press, 2019. xiv + 202 pp. $75.

The Writer's Gift or the Patron's Pleasure? The Literary Economy in Late Medieval France. Deborah McGrady. Toronto: University of Toronto Press, 2019. xiv + 322 pp. $85.

Dante's Philosophical Life: Politics and Human Wisdom in “Purgatorio.” Paul Stern. Philadelphia: University of Pennsylvania Press, 2018. 292 pp. $65.

Retelling the Siege of Jerusalem in Early Modern England. Vanita Neelakanta. The Early Modern Exchange. Newark: University of Delaware Press, 2019. x + 224 pp. $35.

Religious Conversion in Early Modern English Drama. Lieke Stelling. Cambridge: Cambridge University Press, 2019. xii + 218 pp. $99.99.

Light and Death: Figuration in Spenser, Kepler, Donne, Milton. Judith H. Anderson. New York: Fordham University Press, 2017. 316 pp. $65

Chivalry, Reading, and Women's Culture in Early Modern Spain: From “Amadís de Gaula” to “Don Quixote.” Stacey Triplette. Gendering the Late Medieval and Early Modern World 3. Amsterdam: Amsterdam University Press, 2018. 214 pp. €95.

Biblical Readings and Literary Writings in Early Modern England, 1558–1625. Victoria Brownlee. Oxford: Oxford University Press, 2018. xiii + 256 pp. $70.

J'aime ta joie parce qu'elle est folle: Écrivains en fête (XVIe et XVIIe siècles). Michel Jeanneret. Titre courant 62. Geneva: Droz, 2018. 236 pp. $38.40.

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Volume 73 - Winter 2020

Reviews