Volume 70 - Fall 2017
Contents
Reviews
Book Review
Hospitals and Urbanism in Rome, 1200–1500. Carla Keyvanian. Brill’s Studies in Intellectual History 251; Brill’s Studies on Art, Art History, and Intellectual History 12. Leiden: Brill, 2015. xvi + 448 pp. $194.
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- 20 November 2018, pp. 1495-1497
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Ornament and Illusion: Carlo Crivelli of Venice. Stephen J. Campbell, ed. Exh. cat. Boston: Isabella Stewart Gardner Museum; London: Paul Holberton Publishing, 2015. 232 pp. £35.
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- 20 November 2018, pp. 663-665
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Rethinking Renaissance Drawings: Essays in Honour of David McTavish. Una Roman D’Elia, ed. Montreal and Kingston: McGill-Queen’s University Press, 2015. vi + 410 pp. $125.
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- 20 November 2018, pp. 262-263
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Personification: Embodying Meaning and Emotion. Walter S. Melion and B. A. M. Ramakers, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 41. Leiden: Brill, 2016. xxxii + 756 pp. $293.
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- 20 November 2018, pp. 1052-1054
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L’amour de l’art: Erotique de l’artiste et du spectateur au XVIe siècle. Lise Wajeman. Les seuils de la modernité 18. Geneva: Droz, 2015. 420 pp. $82.80.
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- 20 November 2018, pp. 1054-1055
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La peinture facétieuse: Du rire sacré de Corrège aux fables burlesques de Tintoret. Francesca Alberti. Les Apparences. Arles: Actes Sud Editions, 2015. 480 pp. + 16 color pls. €34.
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- 20 November 2018, pp. 263-265
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Lorenzo Ghiberti’s “Gates of Paradise”: Humanism, History, and Artistic Philosophy in the Italian Renaissance. Amy R. Bloch. Cambridge: Cambridge University Press, 2016. xxi + 360 pp. $99.99.
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- 20 November 2018, pp. 1497-1498
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Histories of Ornament: From Global to Local. Gülru Necipoğlu and Alina Payne, eds. Princeton: Princeton University Press, 2016. 454 pp. $60.
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- 20 November 2018, pp. 665-666
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Marcantonio Raimondi, Raphael and the Image Multiplied. Edward H. Wouk, ed. With David Morris. Exh. cat. Manchester: Manchester University Press, 2016. 240 pp. £25.
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- 20 November 2018, pp. 1498-1500
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Feuilles de mémoire: Un carnet de dessins florentins du Musée du Louvre; De l’Académie du dessin à Filippo Baldinucci. Jacqueline Lalande Biscontin. With Catherine Monbeig Goguel and Ariane de la Chappelle. Cyriacus: Studien zur Rezeption der Antike 7. Wiesbaden: Franz Philipp Rutzen Verlag, 2015. xvi + 476 pp.
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- 20 November 2018, pp. 1056-1057
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Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints. Bernard Barryte, ed. Milan: Silvana Editoriale, 2016. 704 pp. €75.
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- 20 November 2018, pp. 666-668
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Becoming an Architect in Renaissance Italy: Art, Science and the Career of Baldassarre Peruzzi. Ann C. Huppert. New Haven: Yale University Press, 2015. ix + 222 pp. $85.
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- 20 November 2018, pp. 265-266
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Rome 1600: The City and the Visual Arts under Clement VIII. Clare Robertson. New Haven: Yale University Press, 2015. x + 450 pp. $75.
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- 20 November 2018, pp. 266-268
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Immagini ed eresie nell’Italia del Cinquecento. Massimo Firpo and Fabrizio Biferali. Storia e Società. Rome: Editori Laterza, 2016. xxi + 472 pp. + 94 b/w and color pls. €38.
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- 20 November 2018, pp. 1500-1501
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Andrea Mantegna: Making Art (History). Stephen J. Campbell and Jérémie Koering, eds. Art History. Chichester: Wiley-Blackwell, 2015. 230 pp. $39.95.
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- 20 November 2018, pp. 1057-1059
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The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. Christina M. Anderson. New Haven: Yale University Press, 2015. viii + 264 pp. $65.
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- 20 November 2018, pp. 668-669
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Baroque Visual Rhetoric. Vernon Hyde Minor. Toronto: University of Toronto Press, 2016. xii + 272 pp. $85.
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- 20 November 2018, pp. 268-269
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The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. Piers Baker-Bates and Miles Pattenden, eds. Transculturalisms, 1400–1700. Farnham: Ashgate, 2015. xiv + 278 pp. $119.95.
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- 20 November 2018, pp. 669-670
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Examining Giovanni Bellini: An Art “More Human and More Divine.” Carolyn C. Wilson, ed. Turnhout: Brepols, 2015. 394 pp. €100.
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- 20 November 2018, pp. 1059-1060
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Michelangelo’s Tomb for Julius II: Genesis and Genius. Christoph Luitpold Frommel. With Claudia Echinger-Maurach, Antonio Forcellino, and Maria Forcellino. Los Angeles: J. Paul Getty Museum, 2014. 368 pp. $79.95.
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- 20 November 2018, pp. 1501-1503
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