Renaissance Quarterly: Volume 67 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 67 - Winter 2014

Reviews

Sharon Gregory and Sally Hickson, eds. Inganno — the Art of Deception: Imitation, Reception, and Deceit in Early Modern Art. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xi + 204 pp. $104.95. ISBN: 978-1-4094-3149-7.

Sarah Blake McHam. Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the Natural History. New Haven: Yale University Press, 2013. xiii + 450 pp. $75. ISBN: 978-0-300-18603-1.

Megan Holmes. The Miraculous Image in Renaissance Florence. New Haven: Yale University Press, 2013. ix + 382 pp. $75. ISBN: 978-0-300-17660-5.

Nicole Dacos. Voyage à Rome: Les artistes européens au XVIe siècle. Brussels: Fonds Mercator, 2012. 264 pp. €59.95. ISBN: 978-90-6153-707-6.

Laurinda S. Dixon. The Dark Side of Genius: The Melancholic Persona in Art, ca. 1500–1700. University Park: Pennsylvania State University Press, 2013. xiii + 254 pp. $89.95. ISBN: 978-0-271-05935-8.

Leonard Barkan. Michelangelo: A Life on Paper. Princeton: Princeton University Press, 2011. 384 pp. $49.50. ISBN: 978-0-691-14766-6.

Anita Fiderer Moskowitz. Forging Authenticity: Bastianini and the Neo-Renaissance in Nineteenth-Century Florence. Arte e archeologia: Studi e documenti 32. Florence: Leo S. Olschki, 2013. xvi + 172 pp. €80. ISBN: 978-88-222-6171-7.

Antonella Fenech Kroke, ed. The History of Florence in Painting. In collaboration with Cyril Gerbron, Stefano Calonaci, and Neville Rowley. New York: Abbeville Press, 2013. 496 pp. $235. ISBN: 978-0-7892-1145-3.

Fredrika Herman Jacobs. Votive Panels and Popular Piety in Early Modern Italy. Cambridge: Cambridge University Press, 2013. xiii + 248 pp. + 8 color pls. $99. ISBN: 978-1-107-02304-8.

Romano Nanni and Maurizio Torrini, eds. Leonardo “1952” e la cultura dell’Europa nel dopoguerra. Biblioteca Leonardiana: Studi e documenti 3. Florence: Leo S. Olschki, 2013. xviii + 474 pp. + 4 color pls. €49. ISBN: 978-88-222-6206-6.

Morten Steen Hansen. In Michelangelo’s Mirror: Perino Del Vaga, Daniele Da Volterra, Pellegrino Tibaldi. University Park: Pennsylvania State University Press, 2013. xvi + 218 pp. $94.95. ISBN: 978-0-271-05640-1.

Joachim Jacoby and Martin Sonnabend, eds. Raphael: Drawings. Exh. Cat. Städel Museum, 7 November 2012–3 February 2013. Munich: Hirmer Verlag, 2012. 260 pp. $65. ISBN: 978-3-7774-5811-3.

Lieke Stelling, Harald Hendrix, and Todd M. Richardson, eds. The Turn of the Soul: Representations of Religious Conversion in Early Modern Art and Literature. Intersections: Interdisciplinary Studies in Early Modern Culture 23. Leiden: Brill, 2012. xvi + 396 pp. $182. ISBN: 978-90-04-21856-7.

Amy Powell. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012. 370 pp. $34.95. ISBN: 978-1-935-40820-8.

Francesco Giambonini. Bernardino Lanino ritrattista e l’ambiente artistico-politico del suo tempo. Biblioteca del’“Archivum Romanicum” Serie 1: Storia, Letteratura, Paleografia 410. Florence: Leo S. Olschki, 2013. 332 pp. + 4 color pls. €38. ISBN: 978-88-222-6225-7.

Jan L. de Jong. The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries. University Park: Pennsylvania State University Press, 2012. xiii + 192 pp. $75.95. ISBN: 978-0-271-05079-9.

Marcia B. Hall and Tracy E. Cooper, eds. The Sensuous in the Counter-Reformation Church. Cambridge: Cambridge University Press, 2013. xv + 340 pp. $99. ISBN: 978-1-107-01323-0.

Tom Nichols. Titian and the End of the Venetian Renaissance. London: Reaktion Books, 2013. 252 pp. £49. ISBN: 978-1-78023-186-0.

Livio Pestilli. Paolo de Matteis: Neapolitan Painting and Cultural History in Baroque Europe. Farnham: Ashgate Publishing Limited, 2013. xix + 404 pp. + 39 color pls. $124.95. ISBN: 978-1-4094-4620-0.

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Volume 67 - Winter 2014

Reviews