Renaissance Quarterly: Volume 70 - Issue 1

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Volume 70 - Issue 1 - Spring 2017

Contents

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Reviews

The Civic Cycles: Artisan Drama and Identity in Premodern England. Nicole R. Rice and Margaret Aziza Pappano. ReFormations: Medieval and Early Modern. Notre Dame: University of Notre Dame Press, 2015. xii + 360 pp. + 8 color pls. $42.
David N. Klausner
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20 November 2018, pp. 408-409
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Practicing the City: Early Modern London on Stage. Nina Levine. New York: Fordham University Press, 2016. viii + 200 pp. $28.
Siobhan Keenan
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20 November 2018, pp. 409-411
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Clowning and Authorship in Early Modern Theatre. Richard Preiss. Cambridge: Cambridge University Press, 2014. x + 288 pp. $95.
Richard C. McCoy
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20 November 2018, pp. 411-412
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“Didone regina di Cartagine” di Christopher Marlowe: Metamorfosi virgiliane nel Cinquecento. Antonio Ziosi, ed. and trans. Lingue e Letterature Carocci 202; Centro Studi: La permanenza del Classico 29. Rome: Carocci editore, 2015. 358 pp. €29.
Per Sivefors
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20 November 2018, pp. 412-414
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The Drama of Memory in Shakespeare’s History Plays. Isabel Karremann. Cambridge: Cambridge University Press, 2015. xi + 210 pp. $99.99.
Philip Schwyzer
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20 November 2018, pp. 414-415
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Shakespeare and Ecology. Randall Martin. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2015. x + 214 pp. $30.
Vin Nardizzi
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20 November 2018, pp. 415-417
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Shakespeare and the Power of the Face. James A. Knapp, ed. Farnham: Ashgate, 2015. xiii + 208 pp. $104.95.
Clark Hulse
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20 November 2018, pp. 417-418
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Shakespeare and the Visual Imagination. Stuart Sillars. Cambridge: Cambridge University Press, 2015. xviii + 318 pp. $99.99.
Richard Meek
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20 November 2018, pp. 419-420
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Shakespeare in Hate: Emotions, Passions, Selfhood. Peter Kishore Saval. Routledge Studies in Shakespeare 15. London: Routledge, 2016. 170 pp. $145.
Richard M. Waugaman
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20 November 2018, pp. 420-422
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Avant-Garde Hamlet: Text, Stage, Screen. R. S. White. Shakespeare and the Stage. Madison, NJ: Fairleigh Dickinson University Press, 2015. viii + 212 pp. $70.
Mark Thornton Burnett
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20 November 2018, pp. 422-423
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The One “King Lear.” Brian Vickers. Cambridge, MA: Harvard University Press, 2016. xix + 388 pp. $45.
John Jowett
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20 November 2018, pp. 423-425
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The Duchess of Suffolk. Thomas Drue. Ed. Richard Dutton and Steven K. Galbraith. Early Modern Drama Texts. Columbus: Ohio State University Press, 2015. viii + 178 pp. $77.95.
Janet Clare
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20 November 2018, pp. 425-426
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The Chinese Impact upon English Renaissance Literature: A Globalization and Liberal Cosmopolitan Approach to Donne and Milton. Mingjun Lu. Transculturalisms, 1400–1700. Farnham: Ashgate, 2015. ix + 238 pp. $109.95.
Sidney L. Sondergard
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20 November 2018, pp. 426-428
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John Donne and Early Modern Legal Culture: The End of Equity in the “Satyres.” Gregory Kneidel. Pittsburgh: Duquesne University Press, 2015. ix + 246 pp. $59.
Lorna Hutson
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20 November 2018, pp. 428-429
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Landgartha: A Tragie-Comedy. Henry Burnell. Ed. Deana Rankin. Literature of Early Modern Ireland. Dublin: Four Courts Press, 2013. 164 pp. €29.95.
Chris Morash
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20 November 2018, pp. 430-431
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Staging the Revolution: Drama, Reinvention and History, 1647–72. Rachel Willie. Manchester: Manchester University Press, 2015. xii + 242 pp. £70.
David Roberts
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20 November 2018, pp. 431-432
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The Horror Plays of the English Restoration. Anne Hermanson. Studies in Performance and Early Modern Drama. Farnham: Ashgate, 2014. viii + 186 pp. $109.95.
Deborah C. Payne
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20 November 2018, pp. 432-434
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Front matter

RQX volume 70 issue 1 Cover and Front matter
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22 March 2019, p. f1
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Back matter

RQX volume 70 issue 1 Cover and Back matter
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22 March 2019, pp. b1-b2
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Page 7 of 7

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Renaissance Quarterly

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Volume 70 - Issue 1 - Spring 2017

Reviews

The Civic Cycles: Artisan Drama and Identity in Premodern England. Nicole R. Rice and Margaret Aziza Pappano. ReFormations: Medieval and Early Modern. Notre Dame: University of Notre Dame Press, 2015. xii + 360 pp. + 8 color pls. $42.

Practicing the City: Early Modern London on Stage. Nina Levine. New York: Fordham University Press, 2016. viii + 200 pp. $28.

Clowning and Authorship in Early Modern Theatre. Richard Preiss. Cambridge: Cambridge University Press, 2014. x + 288 pp. $95.

“Didone regina di Cartagine” di Christopher Marlowe: Metamorfosi virgiliane nel Cinquecento. Antonio Ziosi, ed. and trans. Lingue e Letterature Carocci 202; Centro Studi: La permanenza del Classico 29. Rome: Carocci editore, 2015. 358 pp. €29.

The Drama of Memory in Shakespeare’s History Plays. Isabel Karremann. Cambridge: Cambridge University Press, 2015. xi + 210 pp. $99.99.

Shakespeare and Ecology. Randall Martin. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2015. x + 214 pp. $30.

Shakespeare and the Power of the Face. James A. Knapp, ed. Farnham: Ashgate, 2015. xiii + 208 pp. $104.95.

Shakespeare and the Visual Imagination. Stuart Sillars. Cambridge: Cambridge University Press, 2015. xviii + 318 pp. $99.99.

Shakespeare in Hate: Emotions, Passions, Selfhood. Peter Kishore Saval. Routledge Studies in Shakespeare 15. London: Routledge, 2016. 170 pp. $145.

Avant-Garde Hamlet: Text, Stage, Screen. R. S. White. Shakespeare and the Stage. Madison, NJ: Fairleigh Dickinson University Press, 2015. viii + 212 pp. $70.

The One “King Lear.” Brian Vickers. Cambridge, MA: Harvard University Press, 2016. xix + 388 pp. $45.

The Duchess of Suffolk. Thomas Drue. Ed. Richard Dutton and Steven K. Galbraith. Early Modern Drama Texts. Columbus: Ohio State University Press, 2015. viii + 178 pp. $77.95.

The Chinese Impact upon English Renaissance Literature: A Globalization and Liberal Cosmopolitan Approach to Donne and Milton. Mingjun Lu. Transculturalisms, 1400–1700. Farnham: Ashgate, 2015. ix + 238 pp. $109.95.

John Donne and Early Modern Legal Culture: The End of Equity in the “Satyres.” Gregory Kneidel. Pittsburgh: Duquesne University Press, 2015. ix + 246 pp. $59.

Landgartha: A Tragie-Comedy. Henry Burnell. Ed. Deana Rankin. Literature of Early Modern Ireland. Dublin: Four Courts Press, 2013. 164 pp. €29.95.

Staging the Revolution: Drama, Reinvention and History, 1647–72. Rachel Willie. Manchester: Manchester University Press, 2015. xii + 242 pp. £70.

The Horror Plays of the English Restoration. Anne Hermanson. Studies in Performance and Early Modern Drama. Farnham: Ashgate, 2014. viii + 186 pp. $109.95.

Front matter

RQX volume 70 issue 1 Cover and Front matter

Back matter

RQX volume 70 issue 1 Cover and Back matter

Renaissance Quarterly

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Volume 70 - Issue 1 - Spring 2017

Reviews

Front matter

Back matter