No CrossRef data available.
Article contents
Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5
Review products
Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5
Published online by Cambridge University Press: 01 May 2019
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS0261143019000151/resource/name/firstPage-S0261143019000151a.jpg)
- Type
- Reviews
- Information
- Copyright
- Copyright © Cambridge University Press 2019
References
Waterman, C.A. 1991. ‘The uneven development of africanist ethnomusicology: three issues and a critique’, in Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, ed. Nettl, B. and Bohlman, P.V., pp. 169–86 (Chicago, IL, University of Chicago Press).Google Scholar