Hostname: page-component-848d4c4894-v5vhk Total loading time: 0 Render date: 2024-06-30T22:50:51.161Z Has data issue: false hasContentIssue false

Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5

Review products

Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5

Published online by Cambridge University Press:  01 May 2019

Sarah Bishop*
Affiliation:
Ohio State University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Waterman, C.A. 1991. ‘The uneven development of africanist ethnomusicology: three issues and a critique’, in Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, ed. Nettl, B. and Bohlman, P.V., pp. 169–86 (Chicago, IL, University of Chicago Press).Google Scholar